Teaching Artistic Strategies Playing with Materiality, Aesthetics and Ambiguity

Artistic strategies have a great transformative potential to improving research, teaching, and artistic expression. The contributors to this volume show how to unleash this potential by presenting a variety of epistemological experiments at the intersection of artistic research, pedagogy, and innova...

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Detalles Bibliográficos
Autor principal: Kargin, Fatma (-)
Autor Corporativo: Swiss National Science Foundation (SNSF) funder (funder)
Otros Autores: King, Dorothée, Savic, Selena
Formato: Libro electrónico
Idioma:Inglés
Publicado: Bielefeld : transcript Verlag 2024.
Edición:1st ed
Colección:Image ; 248
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009849238906719
Tabla de Contenidos:
  • Cover
  • Contents
  • Introduction - Teaching Artistic Strategies
  • Notes
  • Spontaneity and the Spaces Between
  • I Performative spaces
  • II Spaces between
  • III Spontaneity
  • IV Conclusion
  • Notes
  • Archipedagogy − Un‑islanding Artistic Research and Its Education
  • Site - Island
  • Event - Archipelago
  • West Cork / The Ship School (2018)
  • Galapagos Islands / The Listening School (2018)
  • Digital Archipelago / Virtual Pedagogy (2022)
  • World - Environment
  • Conclusion
  • Notes
  • Writing Horizontally
  • Introduction
  • What could the essay be? And what does it do?
  • Writing yourself - The "I" as a departure for essayistic reasoning
  • Understanding in your own language - The "I" in the essay film
  • Methods of essayistic reasoning: Interstice, images of thought and transgressive events
  • The educational essay?
  • Acting in between - A teaching workshop in Basel
  • Turning vertical into horizontal writing
  • Notes
  • Researching and Reshaping Human‐thing Constellations
  • Researching and reshaping human‐thing constellations
  • Exercise 1: Digital entanglements
  • Exercise 2: Intra‐actions of human, spatial and material actors
  • Exercise 3: How to imagine a less exclusive future
  • What has to be done next
  • Notes
  • Imagining new ways of representing refugees - Teaching proposal
  • Teaching method rationale: challenging mental representations of refugees carried by mainstream media
  • Teaching scenario: an attempt to deconstruct the gaze in 30 minutes
  • Teaching script
  • Observations on the students' productions
  • Teaching method discussed: Ethically complex issues raised when trying to undermine a dominant visual regime
  • Conclusion: Potential follow‐ups
  • Appendix
  • Notes
  • Dichotomous Keys as Way of Seeing
  • Dichotomous keys: A first encounter
  • Introduction
  • The how of it all: Head in the Cloud, Hands in the Dirt.
  • Turbulent histories of well‐established presents
  • Conclusion: Teaching artistic strategies
  • Notes
  • Opuntia's Ubiquity
  • From/to
  • In Tlilli In Tlapalli
  • Situating knowledge in art as positioning oneself
  • Intersubjectivity as complementarity, towards plant‐thinking
  • Notes
  • Teaching More‐than‐human Invitation in Artistic Research and Pedagogy
  • On invitation
  • Storying as method
  • Praising: On symposium and love
  • Invited, Included, Interrupted
  • Explaining: On art and dead animals
  • Knowing, Living, Communicating
  • Searching: On plastic, guts and kin
  • Assimilation, Appropriation and Good Relations
  • Associations
  • Conclusion
  • Notes.