Beethoven and the piano philology, context and performance practice
| Otros Autores: | , , , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Edition Argus
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009840111706719 |
Tabla de Contenidos:
- Czerny the progressive / Clive Brown
- Beethoven's pedal marks revisited / Barry Cooper
- The case for un-notated arpeggiation in Beethoven's compositions for or involving the piano / Neal Peres Da Costa
- Beethoven's tied-note notation: an ongoing debate / Siân Derry
- Beethoven's indicators of expression in his piano works / Marten Noorduin
- A historically informed perspective of Beethoven's idiosyncratic dynamics and accents in his piano works / Yew Choong Cheong
- Beethoven's Piano quartets WoO 36: conservatism and evolution / Leonardo Miucci
- Publishers' practices and other happenings in the life of Beethoven's Quintet for piano and woodwinds, op. 16 / Sandra P. Rosenblum
- Beethoven's "concept": working manuscripts between sketch and fair copy / Susanne Cox
- Text, context, and creative process in Diabelli's Vaterländischer Künstlerverein / Mario Aschauer
- Beethoven's sketches for the last movement of the Sonata op. 106: thoughts on the creative process / Roberto Scoccimarro
- Hans Georg Nägeli as publisher and bookseller of piano music / Claudio Bacciagaluppi
- Beethoven's early approach to different types of keyboard instruments in Bonn and its lifelong aftermath / Michael Ladenburger
- Beethoven and the split damper pedal / Tilman Skowroneck
- Beethoven's Érard piano: a gift after all / Robert Adelson
- A gesture of expansion: the limited enlargement of the tessitura in Beethoven's Piano sonata op. 53 as a further development of procedures essayed in his early chamber music / Martin Skamletz.
