Deep-Time Images in the Age of Globalization Rock Art in the 21st Century
This open access volume explores the impact of globalization on the contemporary study of deep-time art. The volume explores how early rock art research’s Eurocentric biases have shifted with broadened global horizons to facilitate new conversations and discourses in new post-colonial realities. The...
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| Otros Autores: | , |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
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Cham :
Springer International Publishing
2024.
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| Edición: | 1st ed. 2024. |
| Colección: | Interdisciplinary Contributions to Archaeology,
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| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009834838806719 |
Tabla de Contenidos:
- Introduction. Deep-Times Images And The Challenges Of Globalization (Oscar Moro Abadía, Margaret Conkey, Jo McDonald)
- Part I. Recentering Rock Art
- Chapter 1. ‘Out Of Franco-Cantabria’: The Globalization of Pleistocene Rock Art (Aitor Ruiz-Redondo)
- Chapter 2. Some Implications of Pleistocene Figurative Rock Art in Indonesia and Australia (Adam Brumm, Adhi Agus Oktaviana, Maxime Aubert)
- Chapter 3. Rock Art, Modes Of Existence, And Cosmopolitics: A View From The Southern Andes (Andrés Troncoso)
- Chapter 4. Regional Reponses to Global Climate Change: Exploring Anthropomophic Depictions in Rock and Mobiliary Art Expressions from the Kimberley and Europe during the Late and Terminal Pleistocene (Peter Veth, Sam Harper, and Martin Porr)
- Part II. Comparative Views on Global Art
- Chapter 5. The Divide Between ‘European’ And ‘Indigenous’ Rock Arts: Exploring A Eurocentic Bias In The Age Of Globalization (Oscar Moro Abadía, Amy C. Chase)
- Chapter 6. Rock Art Research and Knowledge-Production in the Context of Globalisations. A Comparative Approach to the Cases of Patagonia-Argentina and Eastern Canada (Danae Fiore, Bryn Tapper, Dagmara Zawadzka, Agustín Acevedo)
- Chapter 7. The Framework for Ochre Experiences (Foes): Towards A Transdisciplinary Perspective on the Earth Material Heritage of Ochre (Elizabeth C. Velliky, Tammy Hodgskiss, Larissa Mendoza Straffon, Heidi Gustafson, Ann Gollifer, Magnus Haaland)
- Chapter 8. Why Do Old Dates Fascinate Prehistorians? (Georges Sauvet)
- Part III. Interdisciplinary Global Rock Art
- Chapter 9. What Were Rock Art Sites Like In The Past? Reconstructing the Shapes of Sites as Cultural Settings (Jean-Jacques Delannoy, Bruno David, Kim Genuite)
- Chapter 10. The Earliest Dated Pictures in the Dispersal of Psychologically Modern Humans: A Middle Paleolithic Painted Rock Shelter (C. 45ka) At Wadi Defeit, Egypt (Whitney Davis)
- Chapter 11. Understanding Rock Art: What Neuroscience Can Add (John Onians)
- Chapter 12. “… And Those Who Expect To Return To The Source Will Find Fog”: Resonances of Prehistory in Modern Art (Rémi Labrusse)
- Part IV. Tensions in Rock Art Management: Local Vs Global
- Chapter 13. The Unesco World Heritage List In A Globalized World: The Case Of The Paleolithic Caves Of Northern Spain (1985 - 2008) (Eduardo Palacio-Pérez)
- Chapter 14. Local – National – Global: Defining Indigenous Values of Murujuga’s Cultural Landscape in the Frame of International Patrimony (Amy Stevens and Jo McDonald)
- Chapter 15. Out of Place: Postcolonial Legacy and Indigenous Heritage in South Africa (Silvia Tomášková)
- Chapter 16. Graffiti, Vandalism and Destruction: Preserving Rock Art in a Globalized World (Paul S.C. Taçon)
- Part V. Rock Art and the Challenges of the Global Now
- Chapter 17. Translation and Transformation: The Materiality of Rock Art in a World of Bytes (John Robb)
- Chapter 18. Cultures of Appropriation: Rock Art Ownership, Indigenous Intellectual Property, and Decolonisation (Jamie Hampson, Sam Challis)
- Chapter 19. Replicated Temporality. Time, Originality, and Rock Art Replicas (Laura Mayer, Martin Porr)
- Chapter 20. Slow Science but Fast Forward: The Political Economy of Rock Art Research in a "Globalized" World (Margaret W. Conkey)
- Index.
