Comic art and feminism in the Baltic Sea region transnational perspectives
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
London ; New York, New York :
Routledge
[2021]
|
| Edición: | 1st ed |
| Colección: | Routledge focus on gender, sexuality and comics.
|
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009834256906719 |
Tabla de Contenidos:
- Cover
- Half Title
- Series Information
- Title Page
- Copyright Page
- Table of Contents
- Figures
- Contributors
- Acknowledgements
- 1 Feminist Comics: An expanding Field
- Introduction
- An Expanding Historical Context: Feminist Comic Art in Sweden and Finland
- An Expanding Geographical Perspective: Feminist Comic Art in the Baltic Sea Region
- An Expanding Collaborative Landscape: Feminist Comic Art Activity in the Baltic Sea Region
- Comic Art and Feminism in the Baltic Sea Region: Transnational Perspectives
- Notes
- References
- Part I Swedish Feminist Comics Artists
- 2 Swedish Feminist Comics and Cartoons at the Turn of the Millennium: Joanna Rubin Dranger and åsa Grennvall (schagerström)
- Introduction
- Background: The Feminist Context
- Joanna Rubin Dranger
- The Feminist Superhero "Fittflickan"
- Miss Remarkable &
- Her Career
- Åsa Grennvall (Åsa Schagerström)
- Fanzines
- Violence Against Women
- Conclusion
- Notes
- References
- 3 A Woman's Place (in the Panel): Positioning and Framing in Comics by Nina Hemmingsson and Lotta Sjöberg
- Introduction
- Nina Hemmingsson and Lotta Sjöberg
- The Single-Panel Comic
- Theories of Positioning and Framing
- Positioning Theory
- Framing Theory
- Analysis
- Nina Hemmingsson
- Lotta Sjöberg
- Humour As Visual and Interactional Incongruity
- A Woman's Place: Discussion
- Notes
- References
- Part II Gender, Sex, and Sexuality in German-Language Comics
- 4 A Brief History of Girlsplaining?: Reading Klengel, Patu, and Schrupp With Strömquist. Or: Reflecting visualities of Gender and Feminism in German-Language Comics
- Introduction
- Contemporary German-Language Comics on Feminism and the Influence of Liv Strömquist's Works
- "HIDDEN in Our Culture" - Vulvas
- "maybe the Thinker COULD Look Like This" - Art Quotations.
- "HAHA Just Kidding!!" - Humour
- Conclusion
- Notes
- References
- 5 "What's in a Name?": Anke Feuchtenberger's Roses and the Mythic Methodologies of Her Feminist Comic Art
- Introduction
- Anke Feuchtenberger and German Comics After 1989
- The Myths and Myth-Making Processes of Ideology
- Feuchtenberger's Myth and Artificial Myth "Rosen" and "No Roses"
- Conclusion: Feuchtenberger's Comics Semiotics
- Notes
- References
- 6 For Sex-Positivity?: Potential and Limits of Representing Sex and Sexuality in Ulli Lust's Comics Across Genres
- Introduction
- Ulli Lust As a Comics Artist
- Thinking Sex With Sex-Positive Feminists
- Pornographic Visions of Pleasure and Fantasy
- Autobiographical Perspectives On Sexual Agency and Liberation
- Observations of Sexual Diversity in Reportage
- Conclusion
- Notes
- References
- Part III Non-Binary and Queer Expression in Comics
- 7 Strategies of Ambiguity: Non-Binary Figurations in Non-Binary-german-Language Comics
- Introduction
- Narratology, Semiotics, and Queer-Feminism in Comic Studies
- Comic Theory: Is There a Political Aesthetic of Comics?
- Strategies of Combining, Avoiding, Fragmentation, and Overlapping: Analysis
- Combining
- Avoiding
- Fragmentation and Overlapping
- Ambiguous Focalisation: "Hure h" By Anke Feuchtenberger and Kathrin De Vries
- Hure H In-Between
- Unambiguous Focalisation
- Conclusion
- Notes
- References
- 8 Feminist and Queer Aesthetics in Tove Jansson's Moomin Comics
- Introduction
- Gender and Sexuality in the Moomin Comic Strip
- Moomin's Chosen Families
- Moominmamma's Emancipation
- Moomin Masculinities and Femininities
- Conclusion
- Notes
- References
- Part IV Addressing Violence in Finnish Comics.
- 9 Feminist Education and Empowerment: The Individual and the Collective in Emmi Nieminen and Johanna Vehkoo's Comic On Online Violence
- Introduction
- Feminist Comics and Comics Journalism in Finland
- Formations of the Individual and the Collective
- The Targets of Hate: Individual Case Narratives
- The Situated Knowledge of the Creator-Narrator-Characters
- The Haters As Contrast to the Collective of Women
- The Collective Risen above the Problem
- The Inclusion of the Reader
- Conclusion
- Notes
- References
- 10 The Narrative Complexity of Showing and Telling Sexual Harassment and Violence in Kati Kovács's Comics
- Introduction
- Kovács's Comics in the Finnish Comics Scene
- Sexual Violence in Comics and the Challenge of Representation
- Naïve Protagonist, Experienced Narrator? - Narrative Tensions and the Discrepancy of Knowledge
- Unreliable Narrator in the Interaction Between Words and Images
- Conclusion
- Notes
- References
- Part V Memoir and Remembering in Polish and Russian Comics
- 11 "After all, We Must be Our Own Heroines": The Power of Feminism, Fun Home, and Form in Wanda Hagedorn's Graphic Memoir Totalnie Nie Nostalgia: Memuar
- Introduction
- The Paradoxes of Feminism in Communist Poland
- The Past Is Present: Fun Home and the Power of the Graphic Memoir Genre
- (Don't) Look at Me: The Body and the Self
- Drawing Trauma and the "Ethics of the Image"
- Conclusion
- Notes
- References
- 12 Staring Back at History: Varvara Pomidor and Russian Comics
- Introduction
- Varvara Pomidor's Pravda and Late Soviet History
- Conclusion: "I of Course Wanted a 'Lady's' Coat"
- Notes
- References
- Index.
