Dancing with the modernist city metropolitan dance texts around 1900
As the 20th century dawned, authors, artists, and filmmakers flocked to cities like Paris and Berlin for a chance to experience a bustling urban life and engage with other artists and intellectuals. Among them were German-speaking authors and filmmakers such as Harry Graf Kessler, Rainer Maria Rilke...
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Format: | eBook |
Language: | Inglés |
Published: |
Ann Arbor :
University of Michigan Press
2024.
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Edition: | First edition |
Subjects: | |
See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009822979606719 |
Table of Contents:
- Intro
- Contents
- Acknowledgments
- Introduction
- 1. Perceiving the City as Dancing Entity: Conceptions of Writing the Metropolitan Dance Text
- 2. Swirling Affinities: Endell's and Fuller's Architecture, City Space, and Dance
- 3. From Spectator to Practitioner: Developing Harry Graf Kessler's Queer Dance Aesthetic
- 4. Bridging Representations of Gesture, Gesticulation, and Early-Twentieth-Century Dance in the City: Rilke's Veitstänzer in The Notebooks of Malte Laurids Brigge
- 5. Documenting the Demise of Ballet and the Emergence of Modern Dance in the Hospital: Döblin's Early Texts on Dance and Space
- 6. Cabarets, Cafés, and Cities: The Birth of Early-Twentieth-Century Dance in Lasker-Schüler's Writing and Drawings
- 7. From Drawings to Early Cinema: Lasker-Schüler's Protocinematic Images and the Experimental Films of Chomón and the Skladanowsky Brothers
- Coda
- Notes
- Bibliography
- Index.