Dancing with the modernist city metropolitan dance texts around 1900

As the 20th century dawned, authors, artists, and filmmakers flocked to cities like Paris and Berlin for a chance to experience a bustling urban life and engage with other artists and intellectuals. Among them were German-speaking authors and filmmakers such as Harry Graf Kessler, Rainer Maria Rilke...

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Bibliographic Details
Main Author: Lim, Wesley Ben (-)
Format: eBook
Language:Inglés
Published: Ann Arbor : University of Michigan Press 2024.
Edition:First edition
Subjects:
See on Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009822979606719
Table of Contents:
  • Intro
  • Contents
  • Acknowledgments
  • Introduction
  • 1. Perceiving the City as Dancing Entity: Conceptions of Writing the Metropolitan Dance Text
  • 2. Swirling Affinities: Endell's and Fuller's Architecture, City Space, and Dance
  • 3. From Spectator to Practitioner: Developing Harry Graf Kessler's Queer Dance Aesthetic
  • 4. Bridging Representations of Gesture, Gesticulation, and Early-Twentieth-Century Dance in the City: Rilke's Veitstänzer in The Notebooks of Malte Laurids Brigge
  • 5. Documenting the Demise of Ballet and the Emergence of Modern Dance in the Hospital: Döblin's Early Texts on Dance and Space
  • 6. Cabarets, Cafés, and Cities: The Birth of Early-Twentieth-Century Dance in Lasker-Schüler's Writing and Drawings
  • 7. From Drawings to Early Cinema: Lasker-Schüler's Protocinematic Images and the Experimental Films of Chomón and the Skladanowsky Brothers
  • Coda
  • Notes
  • Bibliography
  • Index.