Of Worlds and Artworks : A Relational View on Artistic Practices from Africa and the Diaspora

Of Worlds and Artworks A Relational View on Artistic Practices from Africa and the Diaspora

The present volume brings together contributions which explore artworks - including literature, visual arts, film and performances - as dynamic sites of worlding. It puts emphasis on the processes of creating or doing worlds, implying movement as opposed to the boundary drawing of area studies. From...

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Detalles Bibliográficos
Otros Autores: Fendler, Ute, editor (editor)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Leiden ; Boston : Brill 2024.
Edición:1st ed
Colección:Africa Multiple ; 3.
Social Sciences E-Books Online, Collection 2024.
Materias:
Art, African.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009809007706719
Tabla de Contenidos:
  • Intro
  • Contents
  • Figures
  • Notes on Contributors
  • 1 Introduction
  • Part 1: Openings
  • 2 Prelude I: Integrating Essence and Influence in Legitimizing Worlds: an Artist Reflects
  • 3 Prelude II: Dividual Processes of Worlding from Philosophical, Sociological
  • 1 Philosophical Conceptualizations of the Becoming-World
  • 2 World Society and Social Processes of Worlding
  • 3 Aesthetic Processes of Worlding
  • 4 Upbeat: Artwork or Artifact: Reframing Objects in Ethnographic Museums
  • 1 Unbelievable Treasures: on Decolonizing Museums
  • 2 Art or Artifact? Deconstructing the Power of Displays in the 1980s
  • 3 The Beginning of a New Era: Displaying African Art and the European Avant-garde in the USA
  • 4 Beyond Compare-Recent Reconfigurations of Displaying Objects of Non-European Provenance
  • 5 Conclusion
  • Exhibition catalogues
  • Works cited
  • Part 2: Indian Ocean Worlds and Artworks
  • Section 1: Literary Entanglements
  • 5 East African Indian Writing and the Worlding of Diasporas
  • 1 Worlding Diasporas
  • 6 Zanzibari Poetic Worlds
  • 1 Introduction
  • 2 The "World Literary Space"
  • 3 The Fieldwork
  • 4 What Does "Good" Poetry Do? or, the Logic of the Zanzibari Poetic Space
  • 5 Kujibizana or Malumbano
  • 6 Tenzi in Performance
  • 7 Conclusion
  • 7 Zanzibari Worlds: a Relational Reading
  • 1 Introduction: Abdulrazak Gurnah and Shafi Adam Shafi-Two Zanzibari Writers
  • 2 Worlds Apart? Reading across Worlds
  • 2.1 Vuta n'kuvute
  • 2.2 By the Sea
  • 3 Imagining Zanzibar in Relation
  • 3.1 Relating the City in both Novels
  • 4 Conclusion
  • Section 2: A Diversity of Genres
  • 8 Artistic Imaginaries of War in East Africa: "Worlding" as an Agency of Peace Culture
  • 1 Introduction
  • 2 From Worlds of War to "Worldings" of Peace
  • 3 Conclusion.
  • 9 "Tell Your Neighbor Life is Very Tricky": Performing the City in Swahili Comedy Shows in Nairobi
  • 1 Introduction
  • 2 The Comedian: MCA Tricky
  • 3 Stage Name and Persona
  • 4 Stand-up Comedy
  • 5 The Subject of Tricky's Performances
  • 6 Nine Steps in the Episode "MCA Tricky Writes a Letter to the President"
  • 7 Conclusion
  • YouTube Videos
  • Section 3: Intermedial Inquiries
  • 10 A World(-System) of Debris: Ruins, Remains, and Self-Writing in Narratives across
  • 1 Literary and Visual Storytelling across the Indian Ocean
  • 2 Self-Writing, Indian Ocean Studies, and World-literature: Toward New Theoretical Departures
  • 11 Unraveling Dichotomies in the Indian Ocean World
  • 1 Reframing Mauritius: from Island State to Ocean State
  • 2 Fluidity
  • 3 Binarisms versus Oneness
  • 4 Interconnectedness
  • 5 Conclusion
  • Part 3: Transatlantic Worlds and Artworks
  • Section 4: Remembering Relations
  • 12 The Transatlantic Slave Trade and the Reimagination of Colombian
  • 1 Introduction
  • 2 Jorge Artel and Tidalectic Poetry
  • 3 Conclusion
  • 13 Quaseilhas: a Performative and Transmedial Memory
  • 1 Introduction
  • 2 The Performance Space as Space-Time Capsule
  • 3 Telling Stories and Fragmented Memories
  • 4 Fragmented Stories
  • 4.1 The Story Told in Camamu
  • 4.2 The Story Told in Pantaleon
  • 4.3 The Story Told in Quebra Machado
  • 5 The In-Betweens: Visual, Sonic, and Symbolic Connections and Ruptures
  • 6 Beyond Fragmented Memories: Afrofuturistic Perspectives
  • 14 The Slave-Trade Trauma in Léonora Miano's La Saison de l'ombre (Season of the Shadow)
  • 1 The Promise and Potential of African Narratives for the Study of Trauma
  • 2 Miano's Origin, Career, and Interest in Slavery
  • 3 Trauma Studies and the Postcolonial Movement
  • 4 Miano and the Slave-Trade Trauma
  • 5 The Traumatic Memory of Capture.
  • 6 Trauma Healing, Mourning, and African Renaissance
  • 7 Conclusion
  • Index.

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