Psychoanalysis and film
In full acknowledgment of the important cultural significance of film, this outstanding collection of psychoanalytic essays brings a methodological and theoretical sophistication to an absorbing range of film material. From Wild Strawberries and Vertigo to Titanic and Being John Malkovich, this inte...
Otros Autores: | |
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Formato: | Libro electrónico |
Idioma: | Inglés |
Publicado: |
Boca Raton, FL :
Routledge, an imprint of Taylor and Francis
[2018].
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Edición: | 1st ed |
Colección: | International journal of psychoanalysis key papers series.
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Materias: | |
Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009798296306719 |
Tabla de Contenidos:
- COVER; CONTENTS; 1. Introduction; 2. The end of time: a psychoanalytic perspective on Ingmar Bergman's Wild Strawberries; 3. Hitchcock's Vertigo: the collapse of a rescue fantasy; 4. Neil Jordan's The Crying Game; 5. Hidden in the imagery: an unconscious scene in The Conformist; 6. ""Ah doctor, is there nothin' I can take?"": A Review of Reservoir Dogs; 7. Arthur Penn's Night Moves: a film that interprets us Emanuel Berman, Israel; 8. Lone Star: signs, borders and thresholds; 9. Letters, words and metaphors: a psychoanalytic reading of Michael Radford's II Postino
- 10. Truffaut and the failure of introjection11. I have not spoken: silence in The Piano; 12. Over-exposure: Terry Zwigoff's Crumb; 13. Narrating desire and desiring narration: a psychoanalytic reading of The English Patient; 14. The Remains of the Day; 15. Deconstructing Dirty Harry: Clint Eastwood's undoing of the Hollywood myth of screen masculinity; 16. The thing from inner space: Titanic and Deep Impact; 17. Chinatown; 18. Saving Private Ryan's surplus repression; 19. M(1931); 20. Remembering and repeating in Eve's Bayou; 21. Watching voyeurs: Michael Powell's Peeping Tom (1960)
- 22. Egoyan's Exotica: where does the real horror reside?23. The real thing? Some thoughts on Boys Don't-Cry; 24. 15 minutes of fame revisited: Being John Malkovich; 25. The Sixth Sense