In the mind's eye Julian Hochberg on the perception of pictures, films, and the world

How can we best describe the processes by which we visually perceive our environment? This book seeks to bring the full range of Julian Hochberg's work by offering a selection of his key works. It is intended for researchers working on topics such as perceptual organisation, visual attention, m...

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Detalles Bibliográficos
Autor principal: Hochberg, Julian E. (-)
Otros Autores: Peterson, Mary A., 1950-, Gillam, Barbara, Sedgwick, H. A.
Formato: Libro electrónico
Idioma:Inglés
Publicado: Oxford ; New York : Oxford University Press 2007.
Edición:1st ed
Colección:Oxford scholarship online.
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009797970606719
Tabla de Contenidos:
  • 1 Familiar size and the perception of depth
  • 2 A quantitative approach to figural "goodness"
  • 3 Apparent spatial arrangement and perceived brightness
  • 4 Perception: toward the recovery of a definition
  • 5 The psychophysics of pictorial perception
  • 6 Pictorial recognition as an unlearned ability: a study of one child's performance
  • 7 Recognition of faces
  • 8 In the mind's eye
  • 9 Attention, organization, and consciousness
  • 10 Components of literacy
  • 11 Reading as an intentional behavior
  • 12 The representation of things and people
  • 13 Higher-order stimuli and inter-response coupling in the perception of the visual world
  • 14 Film cutting and visual momentum
  • 15 Pictorial functions and perceptual structures
  • 16 Levels of perceptual organization
  • 17 How big is a stimulus
  • 18 From perception: experience and explanations
  • 19 The perception of pictorial representations
  • 20 Movies in the mind's eye
  • 21 Looking ahead (one glance at a time)
  • 22 The piecemeal, constructive, and schematic nature of perception
  • 23 Hochberg: a perceptual psychologist
  • 24 Mental schemata and the limits of perception
  • 25 Integration of visual information across saccades
  • 26 Scene perception: the world through a window
  • 27 "How big is a stimulus?": learning about imagery by studying perception
  • 28 How big is an optical invariant?: limits of tau in time-to-contact judgments
  • 29 Hochberg and inattentional blindness
  • 30 Framing the rules of perception: Hochberg versus Galileo, Gestalts, Garner, and Gibson
  • 31 On the internal consistency of perceptual organization
  • 32 Piecemeal perception and Hochberg's window: grouping of stimulus elements over distances
  • 33 The resurrection of simplicity in vision
  • 34 Shape constancy and perceptual simplicity: Hochberg's fundamental contributions
  • 35 Constructing and interpreting the world in the cerebral hemispheres
  • 36 Segmentation, grouping, and shape: some Hochbergian questions
  • 37 Ideas of lasting influence: Hochberg's anticipation of research on change blindness and motion-picture perception
  • 38 On the cognitive ecology of the cinema
  • 39 Hochberg on the perception of pictures and of the world
  • 40 Celebrating the usefulness of pictorial information in visual perception
  • 41 Mental structure in experts' perception on human movement
  • Julian Hochberg: biography and bibliography.