The Cultural Construction of Safety and Security Imaginaries, Discourses and Philosophies That Shaped Modern Europe
This volume analyses cultural perceptions of safety and security that have shaped modern European societies. The articles present a wide range of topics, from feelings of unsafety generated by early modern fake news to safety issues related to twentieth-century drug use in public space. The volume d...
| Autor principal: | |
|---|---|
| Otros Autores: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
Amsterdam University Press
2024.
|
| Edición: | 1st ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009785334006719 |
Tabla de Contenidos:
- Cover
- Table of Contents
- Introduction
- Gemma Blok and Jan Oosterholt
- Section 1 Philosophical Conceptualisations of Safety
- 1 Security, Certainty, Trust
- Historical and Contemporary Aspects of the Concept of Safety
- Eddo Evink
- 2 Tolerance: A Safety Policy in Pierre Bayle's Thought
- Ana Alicia Carmona Aliaga
- 3 The Shackles of Freedom
- The Modern Philosophical Notion of Public Safety
- Tom Giesbers
- Section 2 Security Cultures in History
- 4 The Invention of Collective Security after 1815
- Beatrice de Graaf
- 5 Criminal, Cosmopolitan, Commodified
- How Rotterdam's Interwar Amusement Street, the Schiedamsedijk, Became a Safe Mirror Image of Itself
- Vincent Baptist
- 6 Tourists, Dealers or Addicts
- Security Practices in Response to Open Drug Scenes in Amsterdam, Rotterdam and Zurich, 1960-2000
- Gemma Blok, Peter-Paul Bänzinger and Lisanne Walma
- Section 3 Narratives and Imaginaries of Safety
- 7 The 'Golden Age' Revisited
- Images and Notions of Safety in Insecure Times
- Nils Büttner
- 8 Safety as Nostalgia
- Infrastructural Breakdown in Stefan Zweig's Beware of Pity (1938)
- Frederik Van Dam
- 9 Brace for Impact
- Spatial Responses to Terror in Belfast and Oslo
- Roos van Strien
- Section 4 Narratives and Imaginaries of Unsafety
- 10 Safe at Home?
- The Domestic Space in Early Modern Visual Culture
- Sigrid Ruby
- 11 The Transfer of Nineteenth-Century Representations of Unsafety
- A Dutch Adaptation of Eugène Sue's Les Mystères de Paris
- Jan Oosterholt
- 12 Feeling Lost in a Modernising World
- A Critique on Martha Nussbaum's Emotion Theory through an Analysis of Feelings of Unsafety in Magda Szabó's Iza's Ballad
- Femke Kok
- List of Illustrations.
- Figure 5.1 Professional profile of the Schiedamsedijk (1927). Source of map excerpt and address book data, respectively: Rotterdam City Archives, signature number: 40110-Z10, https://hdl.handle.net/21.12133/96CD44BCC38C4D1293732457E05751CE
- and Rotterdam
- Figure 5.2 Photograph of the Zevenhuissteeg with the Schiedamsedijk in the background, presumably in 1937, by J.F.H. Roovers. Source: Romer, Passagieren op 'De Dijk', 40 / H.A. Voet.
- Figure 5.3 Photograph of The Black Diamond Bar on the Schiedamsedijk, presumably during the 1930s (exact date and creator unknown). Source: Romer, Passagieren op 'De Dijk', 57
- Troost, De meisies van de Schiedamsedijk, 65.
- Figure 5.4 Photograph taken from inside the Prinsendam ship replica, overlooking the Schiedamsedijk during the 1935 VVV festivity week. Source: Romer, Het Leuvekwartier van weleer, 100 / Rotterdam City Archives, signature number: 2002-1588, https://hdl.ha
- Figure 7.1 Peter Paul Rubens, Adoration of the Magi, 1609 (retouched 1628-29), canvas, 355.5 × 493 cm, Madrid, Museo del Prado.
- Figure 7.2 Peter Paul Rubens, Samson and Delilah, ca. 1609, panel, 185 × 205 cm, London, National Gallery.
- Figure 7.3 Christian von Couwenbergh, Samson und Delila, 1632, canvas, 156 × 196 cm, Dordrecht, Dordrechts Museum.
- Figure 7.4 Peter Paul Rubens, Mars Disarmed by Venus, ca. 1615-17, canvas, 170 × 193 cm, formerly Schloss Königsberg.
- Figure 7.5 Adriaen van de Venne, Allegory of the Twelve Years' Truce, 1616, panel, 62 × 113 cm, Paris, Museé du Louvre.
- Figure 7.6 Peter Paul Rubens, Minerva Protects Pax from Mars (Allegory on the Blessings of Peace), 1629-30, canvas, 203.5 × 298 cm, London, National Gallery.
- Figure 7.7 Peter Paul Rubens, A Sermon in a Village Church, ca. 1633-35, black chalk, brush and brownish red ink, watercolour, body colour and oil, 422 × 573 mm, New York, The Metropolitan Museum of Art.
- Figure 7.8 Peter Paul Rubens, Lansquenets Carousing ('The Marauders'), ca. 1637-40, canvas, 121.9 × 163.2 cm, Switzerland, Private Collection.
- Figure 7.9 Peter Paul Rubens, Die Schrecken des Krieges, 1637/38, canvas, 206 × 345 cm, Florence, Palazzo Pitti, Galleria Palatina.
- Figure 7.10 Hendrick Hondius, Cows in a Landscape, 1644, etching and engraving, 20.6 × 15.7 cm.
- Figure 10.1 Abraham Bosse, Le mari battant sa femme (The husband hitting his wife), ca. 1633, engraving, 21 × 30 cm / 25.8 × 33.3 cm, New York, Metropolitan Museum of Art, Inv. Nr. 24.36.5 (Public Domain).
- Figure 10.2 Pieter de Hooch, Woman with Child in a Pantry, ca. 1656-60, canvas, 65 × 60.5 cm, Amsterdam, Rijksmuseum, Inv. Nr. SK-A-182 (Public Domain).
- Figure 10.3 Pieter de Hooch, The Bedroom, 1658/60, canvas, 51 × 60 cm, Washington, DC, National Gallery of Art, Widener Collection (Public Domain).
- Figure 10.4 Pieter de Hooch, The Messenger of Love, ca. 1670, canvas, 57 × 53 cm, Hamburg, Kunsthalle, Inv. Nr. HK-184. © Hamburger Kunsthalle / bpk, Photo: Elke Walford.
- Figure 10.5 Pieter de Hooch, The Intruder: A Lady at Her Toilet Surprised by Her Lover, ca. 1665, canvas, 54.5 × 63 cm, London, Apsley House, The Wellington Collection, Inv. Nr. WM.1571-1948.
- Figure 10.6 Crispijn van de Passe I, Lucretia, 1589/1611, engraving, 23.3 × 16.2 cm, Amsterdam, Rijksmuseum, Inv. Nr. RP-P-1986-284 (Public Domain).
