Georg Lukács and Critical Theory Aesthetics, History, Utopia
Reflects the extraordinary scope and topicality of Lukács and Frankfurt School thoughtBuilds on author's decades of research and previous publication on Lukács and Frankfurt School, including editing and translation of Hungarian language texts by Lukács, his Modernism and the Frankfurt School b...
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press
[2023]
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| Edición: | 1st ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009767239906719 |
Tabla de Contenidos:
- Frontmatter
- Contents
- Figures
- Acknowledgments
- Chapter 1 Georg Lukács and Critical Theory: The Long Goodbye
- Part I Georg Lukács
- Chapter 2 Matthew, Mark, Lukács, and Bloch: From Aesthetic Utopianism to Religious Messianism
- Chapter 3 Lukács's Theatres of History: Drama, Action, and Historical Agency
- Chapter 4 The Non-Contemporaneity of Lukács and Lukács: Cold War Contradictions and the Aesthetics of Visual Art
- Part II Theodor W. Adorno
- Chapter 5 Adorno and/or Avant-Garde: Looking Back at Surrealism
- Chapter 6 Avant-Garde and Kitsch, or, Teddy the Musical!
- Chapter 7 Remediating Opera: Media and Musical Drama in Adorno and Kluge
- Part III Critical Theory
- Chapter 8 Perversion and Utopia: Sade, Fourier, and Critical Theory
- Chapter 9 Interdisciplinary Legacies: Critical Theory and Authoritarian Culture
- Chapter 10 Prophecies of Mass Deception: Dewey, Trotsky, and the Moscow Show Trials
- Chapter 11 Tell-Trials, or, Gyuri the Radio Play
- Index
