The Contemporary Construction of the Chinese Form of Marxist Literary Criticism

The Contemporary Construction of the Chinese Form of Marxist Literary Criticism

Detalles Bibliográficos
Autor principal: Hu, Yamin (-)
Otros Autores: Yan, Fang, Cheng, Xin
Formato: Libro electrónico
Idioma:Inglés
Publicado: Singapore : Palgrave Macmillan 2023.
Edición:1st ed
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009763078206719
Tabla de Contenidos:
  • Intro
  • Acknowledgments
  • Contents
  • 1 Introduction
  • 1 Rationale of the Existence of the Chinese Form
  • 1.1 Existence of the Chinese Form?
  • 1.2 Chinese Form of Marxist Literary Criticism Versus Sinification of Marxist Literary Criticism
  • 2 The Path of Constructing the Chinese Form
  • 2.1 Questioning Historical Descriptions and Generalizations
  • 2.2 The Chinese Form and the Study of Differences
  • The Chinese Form and Classical Marxist Literary Criticism
  • The Chinese Form and Western Marxist Literary Criticism
  • 3 The "Problématique" and Overall Characteristics of the Chinese Form
  • 3.1 "Problématique"
  • 3.2 The Overall Characteristics of the Chinese Form
  • References
  • 2 People: The Starting Point and the Destination of Literary Criticism
  • 1 Classical Marxist View on People
  • 1.1 Marx and Engels on the People
  • Marx and Engels' Connotation of the People
  • The Scale of the People in Marx and Engels' Literary Criticism
  • 1.2 Lenin on the People
  • Lenin's Connotation of the People
  • Lenin on the Relationship Between Literature and the People
  • 2 The Chinese Form's View on People
  • 2.1 The Connotations of People
  • The People as the Aggregation of Classes
  • The People Are the Creators of History
  • Adherence to the Centrality of the People
  • 2.2 "People First" in Literary Criticism
  • The Principle of "Literature and Art for the People"
  • Adherence to the Direction of People-Centered Creation
  • The People as Recipients of Literature and Art
  • 3 The Improvement and Expansion of the Concept of People
  • 3.1 A Reflection on the Relationship Between Literature and People
  • Looking Down Upon the People as a Result of a Messianic Mentality
  • Commodity Fetishism and People Cult
  • 3.2 The Complexity of the Concept of People
  • The Concreteness of the Concept of People
  • The Non-homogeneity of the People.
  • 3.3 The Interaction and Mutual Shaping of Literature and People
  • "The People Need Art, and Art Needs the People Even More"
  • Literature and "People to Come"
  • References
  • 3 Nation: A New Dimension of Literary Criticism in the Context of Globalization
  • 1 The Discrimination of the Concept of Nation
  • 1.1 Nation and Its Related Concepts
  • The Concept of Nation
  • Nation Versus Race and Ethnicity
  • 1.2 Nation and the Chinese Nation 中华民族
  • The Proposal of a "Chinese Nation"
  • The One and the Many of the Chinese Nation
  • 2 Marx and Engels on Nation
  • 2.1 Nation and Class
  • Class Issues Dominate National Issues
  • Complex Relationship Between Nation and Class
  • 2.2 Nation and Internationalism
  • Criticism of National Chauvinism
  • Arguments on Colonization
  • The Relationship Between Nations and Internationalism
  • 3 National View in the Chinese Form
  • 3.1 The Restoration of the Reputation of the Concept of Nation
  • The Nation Is Not About Self-Seclusion
  • The Nation Is Not About Going Back to the Good Old Days
  • The Nation Does Not Imply the Collective's Suppression of Its Individual Members
  • 3.2 New Interpretations of National View
  • Nation Is a Historical Concept
  • Nation and Culture
  • Nation and the People
  • 4 The Nature and Characteristics of the National Dimension
  • 4.1 The Research Standpoint of the National Dimension
  • Open Nationalism
  • The Fundamental Connotation of Open Nationalism
  • 4.2 The National Dimension and the National Spirit of Literature
  • National Dimension and National Identity in Literature
  • National Dimension and the National Characteristics of Literature
  • National Dimension and the World
  • References
  • 4 The Political Dimension of Literary Criticism
  • 1 Marx and Engels on Politics and Literature
  • 1.1 Classical Marxist View on Politics
  • Politics as a Component of the Superstructure.
  • Politics as Class Struggle
  • Politics as Human Emancipation
  • 1.2 Marx and Engels' Political Criticism
  • Raising Doubts About the "Eternity" of the Bourgeoisie
  • "The Courage of the True Artist"
  • "Sings…of the Proud, Threatening, and Revolutionary Proletarian"
  • "The Tendency Should Spring from the Situation and Action as Such"
  • 2 Literature and Politics in the Chinese Form
  • 2.1 Mao Zedong's View on Art and Politics
  • Mao on Politics
  • Mao on the Unity of Literature and Politics
  • "Literature and Art for Politics"
  • 2.2 Literature and Politics in the New Period
  • Correction and Adherence to Politics
  • The Proposal of "Literature and Art for the People and Socialism"
  • 3 The Evolution of the Relationship Between Literature and Politics
  • 3.1 Literature and "Re-politicization"
  • Historical Overview of the Relationship Between Literature and Politics
  • Politicization (Over-Politicization), Depoliticization to Repoliticization
  • 3.2 The Contemporary Transformation of the Forms of Politics
  • From Class Politics to People's Politics
  • From Macro-politics to Micro-politics
  • From Explicit Politics to Implicit Politics
  • 3.3 The Tension Between Aesthetics and Politics
  • Aesthetics as Politics
  • Aesthetic Antinomy
  • 4 A Perspective on the Political Dimension
  • 4.1 The Research Objects of the Political Dimension
  • Ideological Nature of Literature
  • Scope of the Political Dimension
  • 4.2 The Political Analysis of Literary Texts
  • Politics in Narrative
  • Desire and Politics
  • References
  • 5 The Praxis Dimension of Literary Criticism
  • 1 Marx on Praxis
  • 1.1 Marx's Concept of Praxis and Western Traditions
  • Aristotle's View of Practice
  • Kant on Practical Reason
  • Sublation of Hegel and Feuerbach in Marx's Concept of Practice
  • 1.2 The Connotations of Marx's View on Praxis
  • Practice as an "Objective Activity".
  • Practice as Material Production and Alienation
  • 2 The Chinese Form's View on Praxis
  • 2.1 The Nature of Praxis
  • Material and Spiritual Activities of Human Beings
  • The Initiative of the Subject
  • Primacy of Practice
  • 2.2 The View on Literature from the Dimension of Praxis
  • Literature Arises from the Relationship of Objectification
  • Critical Theories Under a Literary View of Practice Theory
  • 3 The Dimension of Praxis and Literary Activities
  • 3.1 Literary Criticism in the Process of Objectification
  • The Dimension of Practice and the Subject of Literary Activity
  • Practical Dimension and the Text as a Spiritual Product
  • The Dimension of Practice and Ideal Way of Being
  • 3.2 An Inquiry into Praxis
  • Consciousness and Unconsciousness in Practical Activities
  • Finiteness and Infinity of Practice
  • References
  • 6 Marxist Literary Criticism in the Hi-Tech Era
  • 1 Marxist Literary Criticism and Science and Technology
  • 1.1 Marx and Engels on Science and Technology
  • Science and Technology and Society
  • The Capitalist System and the Alienation of Science and Technology
  • The Paradox of Science and Technology
  • 1.2 Marx and Engels on the Relationship Between Science and Art
  • The Influence of Science and Technology on Literature and Art
  • Non-Synchronicity Between Science and Technology and Literature
  • The Permanent Charm of Art
  • 1.3 Western Marxism's View on Technology and Literature
  • Technology and Alienation
  • Ideological Nature of Science and Technology
  • 2 Theoretical Reconstruction in the Hi-Tech Era
  • 2.1 View of Science and Technology in the Chinese Form
  • Science and Technology and the Dream of a Strong Nation
  • Science and Technology as the First Productive Force
  • Ideological Construction Function of Science and Technology
  • 2.2 Modern Science and Technology and the "Survival" of Literature.
  • The Challenge of Digital Technology to Literature
  • Symbiotic Relationship of Literature and Science and Technology
  • 2.3 The Inner Connection and Mutual Shaping of Literature and Technology
  • The Inner Connection Between Literature and Science and Technology
  • The Aestheticization of Technology and Technicization of Literature and Art
  • 3 Literature Writing in the Hi-Tech Era
  • 3.1 The Revolutionary Impacts of High Technology on Literature Writing
  • Refreshing the Understanding of the World
  • Creating Novel Aesthetic Experiences
  • Stimulating Novel Literary Imagination
  • Innovative Literary Styles and Structures
  • 3.2 The "Thought" and "Poetry" of Literature Writing in the Hi-Tech Era
  • Literature's Warning Against Science and Technology
  • Poetic Dwelling in an Age of High Technology
  • 4 The Study of Reading in the Internet Age
  • 4.1 The Characteristics of Internet Reading
  • Convenience of Reading
  • Multidimensionality of Perception
  • Immediacy and Interactivity of Criticism
  • 4.2 The Symptoms of Internet Reading
  • Labyrinth of Fragmentation
  • Reading and Forgetting
  • Weakening of Deep Thinking
  • 4.3 The Reading Strategies of the Chinese Form
  • Emphasis on Reader Autonomy
  • The Call for Excellent Texts
  • References
  • 7 Literature and Capital in a Market Economy
  • 1 Marx's View on Capital
  • 1.1 Marx's Concept of Capital
  • Capital and Money
  • Attributes of Capital
  • Capital and Its Internal Contradictions
  • 1.2 Marx's View on Literature and Art and Capital
  • Capital Provides the Material Basis and Conditions for the Progress of Literature and Art
  • The Hostility Between Capital and Literature and Art
  • The Aesthetic Character of Artistic Production in the Capitalist Mode of Production
  • 2 Capital and Contemporary Literary Activities
  • 2.1 The Expansion of the Concept of Capital.
  • Marx's Theory of Capital Is Not Obsolete.

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