Cinematic intermediality theory and practice
As a fundamentally hybrid medium, cinema has always been defined by its interactions with other art forms such as painting, sculpture, photography, performance and dance. Taking the in-between nature of the cinematic medium as its starting point, this collection of essays maps out new directions for...
| Otros Autores: | , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Edinburgh :
Edinburgh University Press
2021.
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| Colección: | Edinburgh studies in film and intermediality.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009745330406719 |
Tabla de Contenidos:
- Intro
- Cinematic Intermediality
- Copyright
- Contents
- Figures
- Acknowledgements
- The Contributors
- Introduction
- Part 1 Mapping the Interzone
- 1 Film and Performance: Intermedial Intersections
- 2 Carving Cameras: Antonioni's Lo Sguardo di Michelangelo (2004)
- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema
- 4 Dream Screen: On Cinema and Painting, Blur and Absorption
- Part 2 The Intermedial Avant-gardes
- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970-2015
- 6 The 'Artist as Filmmaker': Modernisms, Schisms, Misunderstandings
- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G
- Part 3 Technology, Apparatus, Affect
- 8 Intermediality and the Origins of Cinema
- 9 Cinematography's Blind Spots: Artistic Exploitations of the Film Frame
- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine, and Eugène Green, Le Fis de Joseph
- Part 4 Intermedial Creation
- 11 What Does a Dance Filmmaker See?
- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith
- 13 Muybridge's Disobedient Horses: Non-stop Stop-motion
- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror
- Index.
