Viewers in distress race, gender, religion, and avant-garde performance at the turn of the twenty-first century

Conventional notions of avant-garde art suggest innovative artists rebelling against artistic convention and social propriety, shocking unwilling audiences into new ways of seeing and living. Viewers in Distress tells a different story. Beginning in the tumultuous 1990s, after the fall of the Berlin...

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Bibliographic Details
Main Author: Mihaylova, Stefka G. (-)
Format: eBook
Language:Inglés
Published: Ann Arbor, Michigan : University of Michigan Press 2023.
Edition:1st ed
Subjects:
See on Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009742652206719
Table of Contents:
  • Intro
  • Contents
  • Illustrations
  • Introduction: "Can We All Along?" Get
  • Chapter 1: The Radical Formalism of Suzan-Lori Parks and Sarah Kane
  • Chapter 2: A Spectator Prepares: Forced Entertainment's Theater of Critical Feeling
  • Chapter 3: The Behzti Riot as a Contemporary Avant-Garde
  • Chapter 4: Feeling Bad about Being White: Young Jean Lee's Theater and the Progressive Avant-Garde
  • Coda: The Liberal Individual's Postmodern Return
  • Notes
  • Bibliography
  • Index.