Musical gentrification popular music, distinction and social mobility
| Otros Autores: | , , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
London ; New York, New York :
Routledge
[2021]
|
| Edición: | 1st ed |
| Colección: | ISME global perspectives in music education series.
|
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009741114806719 |
Tabla de Contenidos:
- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Table of Contents
- List of illustrations
- List of contributors
- Acknowledgements
- Chapter 1: Musical gentrification and socio-cultural diversities: an analytical approach towards popular music expansion in egalitarian societies
- Chapter 2: Musical gentrification: strategy for social positioning in late modern culture
- Chapter 3: Exploring the phenomenon of musical gentrification: methods and methodologies
- Chapter 4: Musical gentrification and the (un)democratisation of culture: symbolic violence in country music discourse
- Chapter 5: Musical gentrification, parenting and children's media music
- Chapter 6: Gentrification, hegemony, activism and anarchy: how these concepts may inform the field of higher popular music education
- Chapter 7: Changing rhythms, ideas and status in jazz: the case of the Norwegian jazz forum in the 1960s
- Chapter 8: Musical gentrification and "genderfication" in higher music education
- Chapter 9: Musical agency meets musical gentrification: exploring the workings of hegemonic power in (popular) music academisation
- Chapter 10: Enclosure and abjection in American school music
- Chapter 11: Musical pathways of migrant musicians: connecting, re-connecting and dis-connecting
- Afterword: taste and distinction after Bourdieu
- Index.
