Sound actions conceptualizing musical instruments
"This is a theoretical music technology book, influenced by new research in embodied music cognition. The main focus is on musical instruments and how they shape our experiences of music"--
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
The MIT Press
2022.
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| Edición: | 1st ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009720421806719 |
Tabla de Contenidos:
- Acknowledgments ix
- Prelude xi
- Part I Musicking
- 1 Music as an Active Process 3
- 2 Music as an Embodied Process 23
- 3 Musical Instruments 39
- Part II Embodiment
- 4 Music-Related Body Motion 53
- 5 Functional Aspects 71
- 6 Representations of Sound Actions 85
- Part III Interaction
- 7 Action-Sound Couplings 99
- 8 Action-Sound Mappings 123
- 9 Spatiotemporality 159
- Part IV Affection
- 10 From Ivory to Silicone 177
- Acknowledgments ix
- Prelude xi
- Part I Musicking
- 1 Music as an Active Process 3
- 2 Music as an Embodied Process 23
- 3 Musical Instruments 39
- Part II Embodiment
- 4 Music-Related Body Motion 53
- 5 Functional Aspects 71
- 6 Representations of Sound Actions 85
- Part III Interaction
- 7 Action-Sound Couplings 99
- 8 Action-Sound Mappings 123
- 9 Spatiotemporality 159
- Part IV Affection
- 10 From Ivory to Silicone 177.
