Sex sounds vectors of difference in electronic music
"Music and sexuality seem to have been linked together since someone first beat out a rhythm on a drum. Making Sex Sound explores the intersection in the mid-20th century onward"--
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Cambridge, Massachusetts :
MIT Press
2022.
|
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009720398006719 |
Tabla de Contenidos:
- Introduction
- Part I: Electroacoustics of the Feminized Voice. Schaeffer and Henry's "Erotica" (1950-51) ; Annea Lockwood's Tiger Balm (1970) ; Luc Ferrari's Les Danses Organiques (1973) and Presque Rien avec Filles, For Dancer and Memorized Sound (1989) ; Robert Normandeau's Jeu De Langues (2009) ; Juliana Hodkinson's and Niels Ronsholdt's Fish and Fowl (2011-12)
- Part II. Electrosexual Disturbance. Donna Summer's "Love to Love You, Baby" (1975) ; Alice Shield's Apocalypse (1990-94) ; Annie Sprinkle's Sluts and Goddesses Video Workshop, Sound Score by Pauline Oliveros (1992) ; Barry Truax's Song of Songs (1992) ; TLC's "I'm Good at Being Bad" (1999) ; Janelle Monae's "It's Code" (2013) ; The Wobble Warp : Theesatisfaction's "Enchantruss" (2012), Janelle Monaes and Esperanza Spalding's "Dorothy Dandridge Eyes" (2013), and Stas thee Boss's "Before Anyone Else" (2017) - Conclusion.
