Writing gender in early modern Chinese women's Tanci fiction
Women’s tanci, or “plucking rhymes,” are chantefable narratives written by upper-class educated women from seventeenth-century to early twentieth-century China. Writing Gender in Early Modern Chinese Women’s Tanci Fiction offers a timely study on early modern Chinese women’s representations of gende...
Otros Autores: | |
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Formato: | Libro electrónico |
Idioma: | Inglés |
Publicado: |
West Lafayette, Indiana :
Purdue University Press
2021
[2021] |
Materias: | |
Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009707518206719 |
Tabla de Contenidos:
- Cover
- Writing Gender
- Title
- Copyright
- Dedication
- CONTENTS
- Acknowledgments
- Note on Style and Excerpts
- Introduction Toward a Spatialized Understanding of Women's Literary Tanci
- Chapter One Vernacular Literacy, Cross-Dressing, and Feminine Authority in Zhu Suxian's Yulianhuan (Linked Rings of Jade)
- Chapter Two Among Women: Feminine Homoeroticism in Li Guiyu's Liuhuameng (Dream of the Pomegranate Flowers)
- Chapter Three Gender, Syncretism, and Female Exemplarity: Jin Fangquan's Qizhenzhuan (A Tale of Exceptional Chastity)
- Chapter Four "Beyond Rouge and Powder": Rewriting Female Talent in Sun Deying's Jinyuyuan (Affinity of the Golden Fish)
- Chapter Five A New Romance of the Nation-State: On Wang Oushang's Zixuji (A Tale of Vacuity)
- Conclusion
- Glossary
- Works Cited
- Index
- About the Author