Representing Australian aboriginal music and dance 1930-1970
"A performance-centered history of the Australian "assimilation" era that centralizes auditory worlds and audio-visual evidence of Aboriginal music and dance"--
Other Authors: | , , , |
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Format: | eBook |
Language: | Inglés |
Published: |
London [England] :
Bloomsbury Academic
2020.
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Subjects: | |
See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009684818706719 |
Table of Contents:
- List of Figures
- Notes on Contributors
- Acknowledgements
- List of Abbreviations
- 1. Staging Assimilation : Too Many John Antills?
- Prelude, Mungari Buldyan - Song for my Grandfather / by Shannon Foster
- 2. 1930s - Performing Cultures : Navigating Protection, Responding to Assimilation
- 3. 1940s - Reclaiming an Indigenous Identity
- 4. 1950s - Jubilee Celebrations, Protest and National Cultural Institutions
- Interlude / by Tiriki Onus
- 5. 1960-67 - Aboriginal Performance Takes the Main Stage
- 6. 1967-1970 - The End of Assimilation?
- 7. Disciplining Music : Too Many Peter Sculthorpes?
- Coda / by Nardi Simpson
- Notes
- Bibliography
- Index.