Oriental, Black, and White : the formation of racial habits in American theater

Oriental, Black, and White the formation of racial habits in American theater

"Josephine Lee looks at how nineteenth and early twentieth century commercial American theater combined Black and Asian stage representations. In minstrelsy, melodrama, vaudeville, and musical theater, both white and Black performers enacted blackface characterizations alongside Oriental stereo...

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Detalles Bibliográficos
Otros Autores: Lee, Josephine, author (author)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Chapel Hill : The University of North Carolina Press 2022.
Materias:
African Americans in the performing arts > History > 19th century.
African Americans in the performing arts > History > 20th century.
United States > Race relations.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009683493106719
Tabla de Contenidos:
  • Oriental, black, and white
  • The racial refashioning of "Aladdin"
  • The lesser roles of Ira Aldridge
  • Blackface minstrelsy's Japanese turns
  • The tricky servant in blackface and yellowface
  • The Chinese laundry sketch
  • "Maybe now and then a Chinaman": African American impersonators and Chinese specialties
  • Divas and dancers: oriental femininity and African American performance
  • Oriental frolics and racial uplift in the early African American musical
  • Pleasure domes and journeys home: "In Dahomey," "Abyssinia," "The Children of the Sun," and "Shuffle Along"
  • Fantasy islands: staging the Philippines, 1900-1914
  • Racial puzzles, chop suey, and Juanita Long Hall in "Flower Drum Song.".

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