On camera how to report, anchor & interview
Want access to the best-kept secrets and tips for sounding and looking professional while presenting on-camera for television? This is your toolkit. Reardon's On Camera: How to Report Anchor and Interview teaches you how to become professional and effective on camera. Learn how to appear, and...
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Boston :
Focal Press, an imprint of Elsevier
2006.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009672606606719 |
Tabla de Contenidos:
- Cover; On Camera; Title Page; Copyright Page; Table of Contents; Acknowledgments; Introduction; Writers' Biographies; 1 On Camera; Interviewing; 2 Interviewing; Prepare; Communicate; Listen; To Pre-Interview or Not to Pre-Interview?; Be Polite; Hard News Interviews; Soft News Interviews; The All-Important First Question; The Shape of an Interview; Time is of the Essence; Answers that are Toooo Long; Questions that are Toooo Long; Yes or No Questions; Anecdotes and Stories; Have more Questions than You Think You Will Need; Where Do You Look When You are Interviewing?; Your Voice
- Whose Interview is it Anyway?The End of the Interview; The Difference Maker; Checklist; Are there any Exercises I can Use?; Exercise for Interview Variety; Exercise for Questions; Exercise for Listening; Exercise for Flexibility; One Last Exercise; Practice, Practice, Practice; 3 The Interviewee; Know How You Appear; Prepare; Nerves; Monotone = Boring; Know Your Audience; Have a Good Time; Checklist; On-Camera Reporting; 4 Gathering the Facts; Nancy's Accident Story; It's Television. Get Video.; See It. Shoot It; Establish the Scene; Cut-Aways, Reverses and Jump Cuts; Jump Cuts
- Reverse QuestionsMore Tricks of the Trade; How to Start Your Taped On-Scene Interviews; Live Interviews for On-Camera Reporters; Checklist; 5 Writing the Script; Nancy's Class Fire Story; On-Camera Field Interviews; Let's Write the Script and Make a Package; This is a Visual Medium; Pace; Language is a Tool; Hard News/Light News; Use of "We" Versus "You" in Your Script; Reporting from the War Front; Fat Head Advice; Finding Your Stories and Developing Your Sources; Conclusion to Writing the Script; Checklist; 6 Presenting the Report on Camera; Studio Lead or Studio Throw; The Open
- Beware of the Same CopyThe Package; Stand-Ups; Be Creative But . . .; Wallpaper; Bridges; Graphics; File Tape; The Close; The Tag; The Sign Off; Q and A; Reporter's Notes and Notebooks; Microphone Position; Where Do I Look?; It's All in How You Ask the Question; Intention; Some Final Notes for On-Camera Reporter Interviews; The Five Ws and the Dreaded H; One Question at a Time; Think of Your Priorities; You are Going Live; Stay Calm in a Crisis; Don't Give Up; Substitutions; Crowd Control; How do You Handle Disagreements with Your Boss?; Conclusion; Checklist; Reporting Exercises
- Beat Reporting7 Sports Reporting; You're Still a Reporter; Breaking In; 8 Weather Reporting; Watch the Over-Hype; Trust Yourself; Be Fast on Your Feet; Details; Airtime; Signature; Geography; Weather-Speak; Getting it Wrong is Not a Mistake; Don't Hide Your Inner Ethic; 9 Medical Reporting; Do I Need To Be a Doctor?; You Need to Know Both TV and Science; TMI; Don't Worry; Legalities and Permissions; Getting Started; Where the Stories Are; Sum Up; 10 Legal Reporting; Skills for a Legal Reporter; Advice for Students; Listen Up, You Idiot!; 11 Entertainment Reporting; Are You the One for MTV?
- Making a Reel for MTV
