The medium is the monster : Canadian adaptations of Frankenstein and the discourse of technology

The medium is the monster Canadian adaptations of Frankenstein and the discourse of technology

Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the wor...

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Detalles Bibliográficos
Otros Autores: McCutcheon, Mark A., author (author)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Edmonton, AB : AU Press, Athabasca University [2018]
Materias:
Shelley, Mary Wollstonecraft, > 1797-1851. > Frankenstein.
Shelley, Mary Wollstonecraft, > 1797-1851 > Adaptations.
Shelley, Mary Wollstonecraft, > 1797-1851 > Influence.
McLuhan, Marshall, > 1911-1980 > Adaptations.
McLuhan, Marshall, > 1911-1980 > Influence.
Technology in popular culture.
Technology in popular culture > Canada.
Technology in literature.
Technology and civilization.
Technology and civilization in literature.
McLuhan, media theory, Mary Shelley, popular culture, Cronenberg, adaptation studies, electronic dance music.
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009654487706719
Tabla de Contenidos:
  • Frontmatter

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