| Summary: | As in a road movie, Rainbows at Seven Eleven travels the highways of the American South West at the maximimum speed allowed by the engine of a rickety car. It is driven by a young Junior Executive escaping from a pursuit that is just beginning in his mind. His fleeting encounters with people along the way (a homeless Black woman, a policeman disguised as Clint Eastwood, a blonde in tight shorts, and an Apache dressed for war) mean the possibility of hope, salvation, or damnatio.The golden arches of McDonald's and the fatefulsum 7:11 appearon the border territory's desolate horizon like the end of one trip or the beginning of another .The bilingual edition of Rainbows at Seven Eleven is an invitationto transpose genreborders (film script, chronicle, novella) and also the border of language.
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