How to cheat in Photoshop CS5 the art of creating realistic photomontages

Fully updated to cover all of the new features in Photoshop CS5, this book is also backwards-compatible and can be used with any version of Photoshop. The accompanying DVD for Mac and PC contains over two and a half hours of video tutorials for additional training, and on the book's popular web...

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Detalles Bibliográficos
Otros Autores: Caplin, Steve., author (author)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Burlington, Mass. : Focal Press 2013.
Edición:1st ed
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009634737806719
Tabla de Contenidos:
  • ""Cover""; ""How to Cheat in Photoshop CS5""; ""Copyright""; ""Contents""; ""How to Cheat, and Why""; ""Acknowledgments""; ""How to Use This Book""; ""1. Natural Selection""; ""Selection: the Fundamentals""; ""The Lasso and Magic Wand""; ""Quickmask 1: Better Selection""; ""Quickmask 2: Tips and Tricks""; ""Quickmask 3: Transformations""; ""The Quick Selection Tool""; ""Refine Edge: Fuzzy Logic""; ""Refine Edge: Going Further""; ""The Pen Is Mightierâ€?""; ""The Pen Tool by Numbers""; ""Putting the Pen into Practice""; ""Losing the Edges""; ""Lock and Load""; ""Find and Replace""
  • ""Color by Numbers""""Brush-on Color""; ""Interlude: the Perfect Setup""; ""2. Transformation and Distortion""; ""The Free Transform Tool""; ""Step and Repeat Rotation""; ""Introducing Image Warp""; ""Image Warp in Combination""; ""Cloning in Perspective""; ""Special Effects with Cloning""; ""Puppet Warp: Animal Tamer""; ""Puppet Warp: Get to Grips""; ""Transformation in Practice""; ""Content-aware Scaling""; ""Content-aware Fill 1""; ""Content-aware Fill 2""; ""Interlude: the Freelance Artist""; ""3. Hiding and Showing""; ""Texture with Layer Modes""; ""Layer Masks 1: Intersections""
  • ""Layer Masks 2: Soft Edges""""Layer Masks 3: Smoothing""; ""Layer Masks 4: Auto Masking""; ""Blending 1: Fire Power""; ""Blending 2: Plane View""; ""Interlude: Graphics Tablets""; ""4. Image Adjustment""; ""Shadows and Highlights""; ""Learning Curves""; ""Matching Colors with Curves""; ""Major Color Changes""; ""Selective Hue and Saturation""; ""Multi-layer Enhancement""; ""Sharpening: Unsharp Mask""; ""Natural Healing""; ""Interlude: Getting Started""; ""5. Composing the Scene""; ""Location Is Everything""; ""Relative Values: Interaction""; ""I Only Have Eyes for You""
  • ""Back to the Foreground""""Composition Tips and Tricks""; ""People and Cars""; ""Interlude: the Final Checklist""; ""6. Getting into Perspective""; ""Establishing the Horizon""; ""Introducing Vanishing Points""; ""Two Point Perspective""; ""Three Point Perspective""; ""Correcting Perspective""; ""Fixing Wide Angle Objects""; ""Using Existing Perspective""; ""Crop Circles Demystified""; ""Boxing Clever: Doubling Up""; ""Vanishing Point Filter 1""; ""Vanishing Point Filter 2""; ""Cropping in Perspective""; ""A Piece of Cake""; ""Interlude: Photomontage Ethics""; ""7. Light and Shade""
  • ""Shadows on Wall and Ground""""Tricky Ground Shadows""; ""Creating Complex Shadows""; ""Light from Windows""; ""Multiple Shadowed Objects""; ""Shading on Hard Light Layers""; ""Visible Light Sources""; ""Turn the Lamp on""; ""Shading Using Dodge and Burn""; ""Shading Using Light Modes""; ""Reverse Shading with Curves""; ""Making Smoke Without Fire""; ""Making Fire Without Smoke""; ""Lighting Up: Perfect Neon""; ""Day for Night""; ""Interlude: Sourcing Images""; ""8. Heads and Bodies""; ""Making the Head Fit""; ""Complex Head Fitting""; ""Combining Body Parts""; ""Stand Up Straight""
  • ""Changing History""