Gender in music production
"The field of music production has for many years been regarded as male-dominated. Despite growing acknowledgement of this fact, and some evidence of diversification, it is clear that gender representation on the whole remains quite unbalanced. Gender in Music Production brings together industr...
| Other Authors: | , , , |
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| Format: | eBook |
| Language: | Inglés |
| Published: |
New York :
Routledge
2020.
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| Edition: | 1st edition |
| Series: | Perspectives on music production.
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| Subjects: | |
| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009630600906719 |
Table of Contents:
- List of ContributorsChapter 1: Gender In Music Production- An IntroductionRuss Hepworth-Sawyer, Liesl King & Mark Marrington Part I: History and ContextChapter 2: Mark Marrington, Women in music production: a contextualized history from the 1890s to the 1980sChapter 3: Marco Antonio Juan de Dios Cuartas, The role of women in music production in Spain during the 1960s: Maryní Callejo and the "Brincos Sound"Chapter 4: Gurutze Lasa Zuzuarregui, The Representation of Women in the Twentieth and Twenty-First Centuries TrikitixaChapter 5: Rebekka Kill, "Hey boy, hey girl, superstar DJ, here we go..." :exploring the experience of female and non binary DJs in the UK music scene.Chapter 6: Javier Campos Calvo-Sotelo, She plays the pipe. Galician female bagpipers in the production of local tradition and gender identityChapter 7: Kirsty Fairclough, Rare Birds: Prince, Gender and Music ProductionPart II: Women in the StudioChapter 8: Henrik Marstal, Slamming the door to the recording studio - or leaving it ajar?Chapter 9: Sergio Pisfil, Interview with Betty Cantor JacksonChapter 10: Liesl King, Twists in the Tracks: An interview with singer, composer, and sound producer Aynee Osborn Joujon RochePart III: Personal PerspectivesChapter 11: Svjetlana Bukvich, Women in audio: trends in New York through the perspective of a civil war survivorChapter 12: Julianne Regan, Three Pronged Attack: The pincer movement of gender allies, tempered radicals and pioneers.Chapter 13: Louise M. Thompson, Gender in Music Production: Perspective Through a Female and Feminine LensPart IV: Industrial EvolutionChapter 14: Jude Brereton, Helena Daffern, Kat Young, Michael Lovedee-Turner, Addressing gender equality in Music Production: current challenges, opportunities for change and recommendationsChapter 15: Sharon Jagger and Helen Turner, The Female Music Producer and the Leveraging of DifferenceChapter 16: Liz Dobson, Conversations in Berlin: discourse on gender, equilibrium and empowerment in audio productionIndex
