Synchronization and title sequences audio-visual semiosis in motion graphics
Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visual...
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| Format: | eBook |
| Language: | Inglés |
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New York ; London :
Routledge
2017.
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| Edition: | 1st edition |
| Series: | Routledge studies in media theory & practice.
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| Subjects: | |
| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009630431006719 |
| Summary: | Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen. |
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| Item Description: | "Part Number: YE99992" Includes index. |
| Physical Description: | 1 online resource (1 volume) : illustrations |
| Bibliography: | Includes bibliographical references and index. |
| ISBN: | 9781351619394 9781315111551 9781138085060 9781351619400 |
