Documentary for the small screen
Film and video have grown to be as significant in our time as books, newspapers and magazines. Documentary film-making is fast becoming as important and useful a skill as the ability to write well. Like writing, it can be learned by anyone. Film and video have grown to be as significant in our time...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
London, [England] ; New York, New York :
Routledge
2016.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009630211406719 |
Tabla de Contenidos:
- Cover; Half Title; Dedication; Title Page; Copyright Page; Table of Contents; Preface; Why this book?; A note about words; I The Nature of Television Documentary; 1 Introduction; Haven't I seen you on TV?; Smaller, faster, better, cheaper...; A heady time; 2 What is a Television Documentary?; Showing not telling; The melting pot; 57 different varieties; 3 How do we Start?; This is how we see the world; 4 Telling the Story; The subject; The thread; Change; Beginning and ending; The intention; Film time; II Constructing a Television Documentary; Section A: Building the Story
- A view of the real world5 The Building Blocks; Pictures and words; Acts and sections; Scenes and sequences; The narrative scene; Description and exposition; The interview; Titles and junctions; End credits; Section B: The Tools; 6 The Lens; Focal length; Aperture; Depth of field; 7 The Microphone; Section C: Building the Form; 8 The Frame; Camera placement; Shot size; The wide shot; The long shot; Group shots; The full and mid shots; The medium close-up; Close-ups; The talking head; 9 The Shot; The narrative of the shot; Speed of movement; Direction of movement; Subject and camera movement
- MotivationZoom and track; Pan and crab; Crane and tilt; Crash zoom and whip pan; Combined movements; The hand-held shot; Shot sound; 10 The Sequence; The choice of shots; Continuity; Cut-aways and cut-ins; Pace; Rhythm; Sequence sound; Sequence music; Sequence narration; The cut; Matching the shots; The fade and the dissolve; Image manipulation; III Producing a Television Documentary; Section A: Pre-production; 11 The Proposal; Where?; Who?; What?; 12 Costing a Production; The schedule; Development; Pre-production; Production; Post-production; Budgeting notes; Production staff
- Contributors feesProduction expenses; Production office costs; Purchased materials; Facilities' costs; Costume, make-up, scenery, props, VisFx; Shooting, lighting and sound; Editing; Stock and duplicating; Graphics; Music; 13 Outline, Treatment, Script; Outline; Treatment; Script; 14 Research; Content research; Production research; People; Locations; Events; Other materials; The research report; Section B: Production; 15 Production Planning; Managing the team; Preparation; 16 The Shoot; The shooting day; Section C: Post-production; 17 Editing; The editor; Editing technologies
- Viewing the rushesThe rough cut; The fine cut; Sound editing; Music; Track laying and dubbing; 18 The Review; What's it all for?; Index
