Documentary voice & vision a creative approach to non-fiction media production
Learn the creative and technical essentials of documentary filmmaking with Documentary Voice & Vision . This comprehensive work combines clear, up-to-date technical information, production techniques and gear descriptions with an understanding of how technical choices can create meaning and serv...
| Otros Autores: | , , , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Focal Press
2016.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009630146406719 |
Tabla de Contenidos:
- Cover; Title; Copyright; Dedication; Contents; ACKNOWLEDGMENTS; INTRODUCTION; Part 1 DEVELOPING YOUR DOCUMENTARY; CHAPTER 1: FINDING AND DEVELOPING IDEAS; What is a Documentary?; Where Do Documentary Ideas Come From?; Your Artistic Identity; Research; The Importance of a Hypothesis; "Casting" Your Documentary; Active vs Passive Characters; Juggling Multiple Characters; The Value of the Documenting Process; Feasibility; The Specific and the Universal; CHAPTER 2: DOCUMENTARY STYLES; A Brief and Selective History of the Documentary; Impressionistic Filmmaking; Dziga Vertov and Reflexivity
- The British Film Movement and the Expository FilmTV Documentary as a Subgenre of the Expository Style; Observational Filmmaking; From the Observational to a Reemergence of the Reflexive; Reenactment in Documentary; Conclusion; CHAPTER 3: STRUCTURING THE DOCUMENTARY; Basic Approaches to Documentary Storytelling; Drama: Goals, Conflict, and Stakes; Dramatic Structure; Opening; Introducing the Conflict; Rising Action; Climax; Results and Ending; Imposing a Structure on Real Life?; Rhetorical Structure; Mixed Approaches; Alternative Structures; The Short Documentary; Issue-Based Films
- Profile of a PersonPortrait of a Place; Single Event Story; Process Film; Conclusion; CHAPTER 4: THE DOCUMENTARY PROPOSAL; Proposal Elements; Introduction or Synopsis; Background; Rationale; Project Description; Main Characters; Events You Will Film; Structure and Style; Themes; Treatment; Distribution Plan; Target Audiences; Film Festivals; Television; Theatrical; Educational Institutions; The Internet; Community-Based Screenings; Community Partners; Goals; Personnel; Budget; Funding Sources; Foundations; Government Funding; State Arts Councils and Humanities Councils
- National Endowment for the ArtsNational Endowment for the Humanities; Corporation for Public Broadcasting; Cable TV; Crowd-Sourced Fundraising; Fiscal Sponsorship; Project Timeline and Status; Trailers and Sample Reels; Conclusion; CHAPTER 5: DOCUMENTARY ETHICS AND LEGAL ISSUES; Responsibility to your Subjects: Subject Relations and Release Forms; Who Gets to Represent Whom?; The Impact of Money; Handling Delicate Situations; Responsibility to Your Audience: Objectivity and Fairness; Responsibility to Other Creators: Intellectual Property Rights; Fair Use; Conclusion; Part 2 PRODUCTION
- CHAPTER 6: PLANNING THE SHOOTCrew Size; Crew Responsibilities; Locations; Permits and Location Agreements; Location Aesthetics and Meaning; Equipment; Lighting Considerations; Sound Recording Preparation; Insurance; Crew and Communication; The Call Sheet; Scheduling; Budgeting; The Budget Topsheet; The Detail Budget; Budgeting for a Low-Budget Documentary; Cost Reports: Knowing Where You Are; Conclusion; CHAPTER 7: ORGANIZING CINEMATIC TIME AND SPACE; The Visual Language of Documentary; Shots, Sequences, and Scenes; The Frame and Composition; Dimensions of the Frame
- Shot Composition and the Graphic Qualities of the Frame
