The Video studio
The recent demise of the independent television companies and the expansion of satellite and cable networks has led to an explosion in small, independent production facilities. In parallel with this development has been a steady increase in media training and a major expansion in corporate video fac...
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
London :
Routledge
2016.
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| Edición: | 3rd ed |
| Colección: | Media manuals.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009629921606719 |
Tabla de Contenidos:
- Cover; Half Title; Title Page; Copyright Page; Table of Contents; Introduction; Studio: Initial Planning; The studio's function; Remote productions; Constructional considerations; Studio Facilities; Technical facilities; Production requirements; Post-production requirements; Layout of Control Areas; Location near the studio; Observation windows; Communal control area; Separate control areas; Studio Construction; Area, shape and height; Floor, walls and ceiling; Studio General Services; Access; Power and lighting; Studio markings and floor plan; Studio Sound Insulation; External noise
- Sound leakageNoise from ventilation; Studio Acoustics; Acoustical treatment; Reverberation time; Required reverberation times; Studio Ventilation; Preventing heat build-up; General problems; Auxiliary requirements; Studio Scenery; Classifying colour; Surface treatment; Scenic storage and repair; Studio Cyclorama; The mobile eye; Cyc colour; Rear-lit eye; Care and storage; Technical Equipment Store; Lighting equipment; Camera cables; General storage; Make-up; Typical facilities; Monitoring and communication; Costume; Typical facilities; Costume suitability; Monitoring and communication
- Equipment Maintenance AreaStorage; Test equipment; Lighting; Safety in the Studio; Fire; Electrical; Safety bonds; Tripping accidents; Lifting; Unstable items; The Vision System; Scanning; Interlace; Coding; Bandwidth; Choice of Camera System; Composite/component; Remote control; Camera sensitivity; Picture Generation; Sensor system: tube/CCD; Camera configuration; Resolution; Camera Lenses; Focal length and angle of view (horizontal); Lens aperture; Zoom lens; Choice of Lens; Minimum object distance; Macro; Maximum lens aperture; Range extenders; Servos; Camera Mountings; Tripod; Pedestal
- Pan and tilt headSophisticated mountings; Camera Cables and Cabling Points; Cable care; Cabling points; Vision and Lighting Control Area; Control room position; Cabling; Operational considerations; Signal Processing (Camera Control Unit); Control features; Line-up of Camera Channels; Starting the day; Zoom tracking; Line-up charts; Vision Control; Lightweight cameras; Full-facility vision control; Monitoring the Vision Signal; The TV waveform; Signal levels; Picture Monitors: Monochrome; Monitor adjustment; Monitor termination; Monitor suitability; Picture Monitors: Colour; Monitor grades
- Colour monitor line-upMonitor line-up test signals; Synchronisation; Picture timing; External picture sources; Vision Signal Distribution; Distribution amplifier; Termination panel; Cable distribution; Radio frequency distribution; Microwave links; Fibre optic links; Production Control Room; Picture monitors; Environment; Layout; Vision Mixer or Switcher: Function; Vision mixer design; What to look for; Vision Mixer: General Facilities; The cut; The mix or dissolve; The fade-up/fade-out; The superimposition; Preview facilities; Vision Mixer: Special Effects; The wipe; The split screen
- Chroma key
