Cutting rhythms intuitive film editing
There are many books on the technical aspects of film and video editing. Much rarer are books on how editors think and make creative decisions. Filled with timeless principles and thought-provoking examples from a variety of international films, the second edition of Karen Pearlman's Cutting Rh...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Routledge
2015.
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| Edición: | 2nd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009629914806719 |
Tabla de Contenidos:
- Cover; Title; Copyright; Contents; PREFACE TO THE SECOND EDITION; PREFACE TO THE FIRST EDITION; ACKNOWLEDGMENTS; INTRODUCTION; CHAPTER 1 Rhythmic Intuition; Intuitive Thinking; Movement and Intuition; Rhythm is Made of Movement; Noticing Movement as Rhythm; Feeling Movement's Rhythmic Potential; Empathy with Movement: Experience, Body, and Brain; Being Rhythm and Thinking Rhythmically; Summary; CHAPTER 2 Editing as Choreography; Shifting the Discussion from Music to Movement; Pulse; Movement Phrases; Why Bother with Phrasing?; Phrasing Considerations; Summary
- CHAPTER 3 Timing, Pacing, and Trajectory PhrasingTiming; Pacing; Trajectory Phrasing; Summary; CHAPTER 4 Tension, Release, and Synchronization; Tension and Release; Synchronization; Case Study in Tension, Release, and Synchronization: Broadcast News; Summary; CHAPTER 5 Physical, Emotional, and Event Rhythms; Three Kinds of Movement; CHAPTER 6 Physical Rhythm; Rechoreographing; Physical Storytelling; Dancing Edits; Singing the Rhythm; Case Study: "Now" Scene from Thursday's Fictions; Summary; CHAPTER 7 Emotional Rhythm; Prepare, Action, Rest; The Actor's Actions; Beats; Case Study: The Hours
- SummaryCHAPTER 8 Event Rhythm; First Scenes; Dramatic Questions; Structures as Event Patterns; Energy, Pace, and Timing; Creating Structure and Rhythm Simultaneously; Real Events v. Fictional Events; Reintegrating Rhythms; Case Study: The Godfather; Case Study: Goodfellas; Summary; CHAPTER 9 Style; Thematic Montage; Continuity Cutting; Points along the Spectrum from Thematic Montage to Continuity Cutting; Collision; Linkage; Points along the Spectrum from Collision to Linkage; Style Case Studies; Contemporary Style: After the New Wave; Summary; CHAPTER 10 Devices; Parallel Action
- Parallel Action Case StudiesSlow Motion; Slow Motion Case Studies; Fast Motion; Two Quick Fast Motion Case Studies; Mixed Motions and Speed Ramping; Summary; CHAPTER 11 Collaboration and The Vulcan Mind Meld; The Mind Meld; Decision Making; Responsive Creativity; Power and Hierarchy; CHAPTER 12 Editing Thinking and Onscreen Drafting; Editing Thinking; What is an Onscreen Draft?; Why Draft?; Rapid Prototyping; Embodied Decision Making; Case Study: Woman with an Editing Bench; BIBLIOGRAPHY; INDEX
