16mm film cutting
The film editor can make or break a film. What ends up on the cutting room floor, and why? 16mm Film Cutting is a step-by-step guide to film cutting which shows you how to achieve professional results. The practical side of the editor's job is clearly described and illustrated; breaking down ru...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
London :
Routledge
2016.
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| Edición: | 1st edition |
| Colección: | Media manuals.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009629914006719 |
Tabla de Contenidos:
- Cover; Half Title; Title Page; Copyright Page; Table of Contents; Film Running Times; Introduction; The Job of Cutting; Importance of cutting; What do you cut?; Cutting with Safety and Economy; Matching original to cutting copy; A chance to save money; Cutting Films Shot with Sound; Cutting programme-synchronised sound; Completing the soundtrack; Cutting Films Shot without Sound; Motorised Editing Machines; Machines for sound and picture; Cutting sound and picture; Upright and Table Editing Machines; Upright machines: Moviola; Table machines: Steenbeck; Multi-Track Equipment
- Synchronisers: Types and UsesGang synchronisers; Synchronisers: Accessories; Sound attachments for synchronisers; Picture synchronisers; Synchroniser accessories and attachments; Joining Film: Temporary Splices; Temporary joins: tape splices; Joining Films: Permanent Splices; Welded splices; Animated Viewers; Function of the viewer in cutting; Sundry Cutting Room Equipment; Wall cuts racks; Rewind arms; Film horse; Cutting Room Accessories; Split spools and film cores; Planning Picture Sequences; Definitions; Camera viewpoint; Identifying and Printing Takes; Printing selected takes
- False economiesIdentifying Sound Takes; Using information provided; The Film in the Camera; Processing originals; Reversal and negative films; Copying the Original; Grading; Cinex strips; Cutting Copies; Cutting copies of 16 mm colour films; Copies on panchromatic stock; Black and white 16 mm films; Edge Numbers and Film Footage; Final stage of cutting; Edge numbers; Film footage; Locating Scenes and Takes; Logging rushes; Minimising paperwork; Breaking Down Rushes; Separating scenes and takes; Identifying the takes; Joining With Tape; Making the join; When not to use tape
- Joining with CementStrong splice; Film Leader; Academy leaders; Making A First Assembly; Backing tape joins; Continuity Cutting; Choice of cutting point; Practical advantages of tape joins; Cutting A Simple Sequence; Matching action cuts; Avoiding Continuity Errors; Cutaways; Jump cuts; Optical Effects: Dissolves; Optical overlaps; Single Roll Optical Effects; Identifying an optical; Quality of duplicate master materials; Ordering Single Roll Optical Dupes; Length of dupes; Optical Effects: Fades and Freezes; Freeze frames; Extending and Fine Cutting the Action; Stretch printing
- Recutting the first assemblyChanging and Patching Cutting Copies; Repairing cutting copy damage; Augmenting Original Film; Ordering stock footage; Negative Cutting: Principle; Cutting by numbers; Negative Cutting: Checkerboard; Starting a checkerboard assembly; Negative Cutting: Where and When; Matching edge numbers step by step; Joining picture and leader; Checking numbers before making a cut; Negative Cutting: Optical Effects; Overlapping checkerboard dissolves; Marking centre points; Negative Cutting: A/B Rolls, Cueing; Optical cue sheets; Negative Cutting: Completing
- Checking neg cut rolls
