Color Correction Handbook: Professional Techniques for Video and Cinema
The colorist working in film and video is the individual responsible for breathing life into characters, bringing a mood into a scene, and making the final product polished and professional-looking. This craft is an art form that often takes years to perfect and many trial-and-error attempts at gett...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
[Place of publication not identified]
Peachpit Press
2010
|
| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009629155806719 |
Tabla de Contenidos:
- Cover
- Table Of Contents
- Introduction
- 1 Setting Up A Color Correction Environment
- Choosing a Display
- Setting Up a Color Correction Suite
- Configuring a Grading Theater
- Other Hardware for Color Correction
- 2 Primary Contrast Adjustments
- How We See Color
- Luminance and Luma
- What Is Contrast?
- Evaluating Contrast Using Video Scopes
- Controls to Adjust Contrast
- Expanding Contrast
- Compressing Contrast
- Y'Cbcr Luma Adjustments Vs. Rgb Luma Adjustments
- Redistributing Midtone Contrast
- Setting Appropriate Highlights and Shadows
- Contrast and Perception
- Contrast During Exhibition
- Dealing With Underexposure
- Dealing With Overexposure
- 3 Primary Color Adjustments
- Color Temperature
- What Is Chroma?
- Analyzing Color Balance
- Using Color Balance Controls
- Color Temperature Controls
- Using Color Curves
- Saturation Adjustments
- Understanding and Controlling Color Contrast
- 4 Hsl Qualification And Hue Curves
- Hsl Qualification in Theory
- Individual Qualifier Controls
- A Basic Hsl Qualification Workflow
- Tips for Using and Optimizing Hsl Qualifications
- Different Ways of Using Hsl Qualifiers
- Hue Curve Adjustments
- Other Types of Hsl Adjustments
- 5 Shapes
- Shape Ui and Controls
- Highlighting Subjects
- Creating Depth
- Shapes + Hsl Qualifiers
- Aggressive Digital Relighting
- Shapes and Motion
- 6 Animating Grades
- Grade Animation Controls Compared
- Correcting Changes in Exposure
- Correcting Hue Shifts
- Grade Transitions Using Through Edits and Dissolves
- Artificial Lighting Changes
- Creative Grade Animation
- 7 Memory Colors: Skin Tone, Skies, And Foliage
- What Are Memory Colors?
- Ideals for Skin Tone
- Techniques for Adjusting Complexion Using Secondaries
- Ideals for Skies
- Techniques for Adjusting Skies
- Ideals for Foliage.
- 8 Shot Matching And Scene Balancing
- Color Timing
- Strategies for Working With Clients
- How to Begin Balancing a Scene
- How to Match One Shot to Another
- Recycling Grades
- Scene Matching in Action
- 9 Quality Control And Broadcast Safe
- Quality Control Issues That Affect Colorists
- Video Signal Standards and Limits
- Six Structured Steps to Legalizing Your Picture
- Monitoring and Legalizing Saturation in Detail
- Rgb Color Space Legality and the Rgb Parade Scope
- Other Video Scope Options for Broadcast Gamut Monitoring
- Creating Graphics and Animation With Legal Values
- 10 Creative Techniques
- Bleach Bypass Looks
- Blue-Green Swap
- Blurred and Colored Vignettes
- Color Undertones
- Cross-Processing Simulation
- Day-for-Night Treatments
- Duotones and Tritones
- Flashing
- Flattened Cartoon Color
- Glows, Blooms, and Gauze Looks
- Monitor and Phone Glow
- Sharpening
- Tints and Color Washes
- Vintage Film
- Index
- Bonus Content for Chapter 9
- Bonus Content for Chapter 10.
