Special makeup effects for stage and screen making and applying prosthetics
Transforming an actor into a character for film or theater takes a great deal of skill, prowess, and creativity, and in this new edition, author Todd Debreceni empowers you with just those qualities. From his years of film, TV, and theatrical experience, he shows you tips and techniques that will ha...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York ; London :
Focal Press
2013.
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| Edición: | 2nd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628553406719 |
Tabla de Contenidos:
- Special Makeup Effects for Stage and Screen: Making and Applying Prosthetics; Copyright; Contents; Foreword; Acknowledgments; Preface; Chapter 1The Industry; Introduction; Stage vs. Screen; Contributions From Medicine; The Workspace; Safety and Health; Professionalism; Your Portfolio; Your Kit; Chapter Summary; Endnotes; Chapter 2Anatomy and Design; Introduction; Using Computer as a Makeup Design Tool; Elements of Design; Body Types; Human Body; Skeletal System; Skeletomuscular System; Surface Anatomy; Eyes, Ears, and Nose; Mouth; Skin; Symmetry and Proportion; Anatomical Planes
- Facial Ratios and PhiRatios and Body Proportions; Geometric Analysis; Distinctions of Gender, Age, and Ancestry; Distinctions of Gender; Distinctions of Age; Distinctions of Ancestry; ChapterSummary; Endnotes; Chapter 3Lifecasting; Introduction; Safety Risks; The Materials; The Process; Overview; Teeth; Face and Neck; Bust: Head and Shoulders; Hands, Arms, Legs, Feet, and Ears; Hands and Arms; Legs and Feet; Ears; Full Body; Full Body: Prone; Full Body: Standing; Chapter Summary; Chapter 4Sculpting the Makeup; Introduction; Materials; Preparing the Positive; Tools; Clay; Reference Photos
- TeethMaterials; Sculpting the Face; Blocking the Sculpture; Refining the Sculpture; Sculpting the Face, Head, and Neck; Blocking the Sculpture; Sculpting Hands; Blocking the Sculpture; Sculpting Ears; Blocking the Sculpture; Chapter Summary; Endnotes; Chapter 5Breakdown of the Sculpture; Introduction; Tools and Materials; Release Agents and Sealers; Making the Negative Mold; Keys, Flashing, and Cutting Edges; Building the Clay Wall; Building a Different Clay Wall; Stone (Gypsum) Molds; Other Types of Molds; Silicone Rubber Molds; Matrix Molds; Fiberglass Molds; Fillers; Resin Molds
- Epoxy MoldsSyntactic Dough; Urethane Molds; Chapter Summary; Endnotes; Chapter 6Casting the Appliances; Introduction; Silicone: Platinum and Tin; Coloration; Materials; De-airing/Degassing Silicone; Gel-Filled Silicone Appliances; Filling the Mold; Injection Filling; Hand Filling; Removing the Appliance; Foam Latex; Materials; Quirks; Running Foam Latex; Prepping the Mold; Filling the Mold; Heat-Curing Foam; Removing the Appliance; Cold Foam (Urethane); Materials; Quirks; Prepping the Mold; Filling the Mold; Removing the Appliance; Gelatin and Foamed Gelatin; Materials; Quirks
- Filling the MoldRemoving the Appliance; Dental Acrylic; Materials; Filling the Mold and Removing the Appliance; Seaming and Painting Silicone Appliances; Seaming and Patching; Painting the Appliance; Painting Teeth; Chapter Summary; Chapter 7Applying the Makeup Appliance; Introduction; Skin Types; Adhesives; Application Techniques; Attaching the Appliance; Conforming Molds; Blending the Edges; Applying the Makeup; Foam Latex; Gelatin; Cold Foam; Silicone; Removing the Appliance; Materials; Removers; Technique; Skin Care; Cleaning and Storing the Appliance; Chapter Summary
- Chapter 8Hair and Wigs
