Audio for single camera operation
In the last decade a greater demand has been placed on cameramen to record sound as well as pictures on location. For anyone wanting to learn about the basics of recording sound, specific to single camera location work this book provides an ideal grounding. It covers the equipment a single operator...
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Oxford :
Focal Press
2003.
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| Edición: | 1st edition |
| Colección: | Media manuals.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628437806719 |
Tabla de Contenidos:
- audio for single camera operation; Copyright; Contents; About the author; Acknowledgements; Introduction; 1I'm all ears - theoretically!; Sound - the executive explanation; I hear you knocking; Hearing test; In sickness and in health; 2Sound measurement; Frequency; Velocity and wavelength; Doppler effect; Sound reflection and absorption; Phase; Moving mics; Thinking aloud; Inverse square law; Acoustics; Intelligibility; 3Camcorder: power and audio facilities; Power; Inputs; Sound output; Phantom power; Batteries and run time; 4Camcorder: track selection and magnetic recording; Track selection
- Mic and line levelOn camera mic; Magnetic recording:; Cassette; Head cleaning; 5Camcorder: sound levels; Manual or auto; Level control and dynamic range; Post-production; Limiter; Dolby encoding; 6Camcorder: sound metering; Meter summary; Viewfinder indication; Auto tone; Line-up; 7Camcorder: external facilities; Sound monitoring; Noise on monitoring circuit; Playback or E to E; Headphone monitoring volume control; Alarm; Tape/alarm warnings; LCD display; Camcorder recording operation; Eject; Playback adapter; 8Mics: types in common location usage; Polar response; Frequency response
- Gun mic: directionalReporter's hand-held (stick) mic: omni-directional; Clip (personal) mic: omni-directional; M/S; Phantom powering; T-power; 9Mics: cables and radio; Balanced line; Unbalanced line; Direct inject box; Straight or curly?; Plugging; Colours; Radio mics; Radio mic rules; 10Mics: placement with regard to speech; The seated indoor interview; Mic choice; Position; Mic stand; 11Mics: use of clip mic for seated interview; Fabrics and fashions; Making the interviewee comfortable:; Experienced interviewees; Inexperienced interviewees; Last word on clip mics
- Last word on cable concealmentLast word!; 12Mics: practical listening exercise (a) mic quality; Listening to mics; Practical exercises; Omni; Directional; The recording; 13Mics: practical listening exercise (b) mic placement and sound discrimination; One ear; The recording; Once more, with pictures; Further listening; 14Sound balance and location acoustics; Sound balance; Open-plan office example; Location acoustics; Voice-over; 15Recording for the edit; Murphy's Law; Run to record ...and cut!; Wildtrack; Copyright; 16Safety; First aid; High sound levels; Accident; Pre-location planning
- On location:Rigging; Handling and carrying; Electrical; Cables; Shooting; Clean/disinfect earpieces; It's a wrap; Personal comfort; Problems; At all times; Insurance; 17Single person operation: mic placement overview and static operation; Mic choice and placement; Remain stationary; Piece to camera; One plus one; And the rest...; Stand mic; 18Single person operation: specific location scenarios; Walking and talking; Press conference; Phone conversation; Wind noise; If wet, in the pavilion; On-camera mic; 19Single person operation: use of headphones; Confidence replay; Headphone volume control
- Emergency spare
