The complete film production handbook
This book is for working film/TV professionals and students alike. If you're a line producer, production manager, production supervisor, assistant director or production coordinator--the book has everything you'll need (including all the forms, contracts, releases and checklists) to set up...
| Other Authors: | |
|---|---|
| Format: | eBook |
| Language: | Inglés |
| Published: |
Burlington, MA :
Focal Press
2010.
Burlington, Mass. : 2010. |
| Edition: | 4th ed |
| Subjects: | |
| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628412506719 |
Table of Contents:
- Cover; Title Page; Copyright Page; Table of Contents; Introduction; Acknowledgments; Forms in the book; Chapter 1: The Production Team andWho Does What; Introduction; Producers; Executive Producer; Producer; Co-Producer; Line Producer; Post Production Producer; Associate Producer; Production Management; Unit Production Manager; First Assistant Director; Second Assistant Director; Production Supervisor; Production Coordinator; Chapter 2: The Production Office; Introduction; Office Space; Setting Up; Phone Systems; The Traveling Production Kit; Answering the Phone; Confidentiality; Shredding
- WatermarkingProduction Assistants; Interns; Ain't Technology Great?; Techie Wanted; Employees Driving Their OwnVehicles for BusinessPurposes; Staff Scheduling and Assignmentof Duties; Staff Meetings; Office Lunches; Time Management; Office Inventories, Logs, andSign-Out Sheets; The Files; Files of Blank Forms; Files for Features, Movies for Television, Cable or Internet; Series Files; Day Files; Forms in This Chapter; Chapter 3: Basic Accounting; Introduction; The Production Accountant; The Accounting Department; Handling Payroll; Payroll Companies; Accounting Guidelines
- Start Paperwork PacketsPayroll; Box Rentals; Vendor Accounts; Competitive Bids; Purchase Orders; Check Requests; Petty Cash; Online Purchases; Cell Phone Reimbursement; Auto Allowances; Mileage Reimbursement; Drive-To; Per Diem and Living Allowance; Invoicing; Additional Taxable Income; The Budget; Tracking Costs; The Audit; Forms in This Chapter; Chapter 4: From Script to Schedule; Introduction; It All Starts with a Script; Script Revisions; The Breakdown; The Board; The Schedule; Day-Out-of-Days; Breakdowns; Chapter 5: Incentives; Introduction; The Evolution of IncentivePrograms; In Flux
- What to ConsiderInfrastructure; Types of Incentives; Rebate; Tax Credits; Refundable Tax Credits; Transferable Tax Credits; Nonrefundable, Nontransferable Tax Credits; Up-Front or Back-End Funding; Chapter 6: Pre-Production; What Is Pre-Production?; Establishing Company Policies; Stages; Meetings, Meetings, and MoreMeetings; Communications; Cellular Phones, BlackBerrys,Wireless Internet and More; Walkie-Talkies; Previsualization; Plan Ahead; Sample Pre-ProductionSchedule;
- Week #1 (8 weeks to go); Week #2 (7 weeks to go); Week #3 (6 weeks to go); Week #4 (5 weeks to go)
- Week #5 (4 weeks to go)Week #6 (3 weeks to go); Week #7 (2 weeks to go); Week #8 (final week of prep); Daily Prep Schedules; More on Logs and Sign-OutSheets; Distribution; Collecting Information andMaking Lists; Crew Information Sheet; The Crew List; The Executive Staff List; The Cast List; The Contact List; Better Safe than Sorry; Pre-Production Checklist; Starting from Scratch; Creating Your Own ProductionManual; For Your Own Good; Forms in
- This Chapter; Chapter 7: Insurance Requirements; Introduction; General Insurance Guidelines; Errors and Omissions (E&O); Comprehensive GeneralLiability
- Certificates of Insurance
