Shooting movies without shooting yourself in the foot becoming a cinematographer
This text is for all those film enthusiasts who can't get on a professional set or can't undertake studies at an expensive film school. Beginning with fundamental techniques and concepts of cinematography, the author shares his many years of experience with the reader.
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| Format: | eBook |
| Language: | Inglés |
| Published: |
Waltham, Mass. :
Focal Press
c2012.
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| Edition: | 1st edition |
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| See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628411406719 |
Table of Contents:
- What is a director of photography?
- Realities : preproduction. What's first? ; We're still reading the script ; A few more things to think about ; The shot list ; The crew ; The location ; Selecting a camera ; Selecting lenses ; Selecting film stock ; Selecting a tripod and head ; What everyone else is doing to prepare ; The night before
- Realities : production. On time and ready to shoot ; First day/first shot ; Shooting masters ; Close-ups and coverage ; Operating the camera ; Still more composition, or follow the money ; The horror of the 180-degree line ; The good, the bad, and the ugly (but not necessarily in that order) ; Learning the hardware ; Why we light ; Exposure ; Exercise : shooting your project on film
- Realities : postproduction. Postproduction : timing and transferring ; Postproduction : putting together a reel
- Technicalities. Cameras : black boxes ; Lenses ; The Zen of focusing ; The magic of filters ; Film ; Color temperature ; Using and handling film cameras and lenses ; Using a tripod and head ; The dolly grip ; Laboratory and postproduction processes.
