Logic Pro 9 audio and music production
First published in 2010. Routledge is an imprint of Taylor & Francis, an informa company.
Main Author: | |
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Other Authors: | |
Format: | eBook |
Language: | Inglés |
Published: |
Amsterdam ; Boston :
Elsevier/Focal Press
c2010.
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Edition: | 1st edition |
Series: | Serie media technology
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Subjects: | |
See on Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628313506719 |
Table of Contents:
- Cover; Logic Pro 9: Audio and Music Production; Copyright; Contents; About theAuthors; Acknowledgments; 1 The Logic Concept; 1.1 Introduction; 1.2 A Brief History of Logic Pro 9; 1.3 The Logical Advantage; Complete Integration with Apple Hardware and Software; Exhaustive Range of Plug-Ins and Instruments; Effective Combination of MIDI and Audio Editing; Flexible Audio Hardware; 2 Logic's Interface; 2.1 Introduction; 2.2 What Logic Can Record; 2.3 The Arrange Window; 2.4 Editor Areas - Mixer, Sample Editor, Piano Roll, Score, and Hyper Editor; Mixer (Keyboard Shortcut - X)
- Sample Editor (Keyboard Shortcut - W)Piano Roll (Keyboard Shortcut - P); Score (Keyboard Shortcut - N); Hyper Editor (Keyboard Shortcut - Y); 2.5 Media and Lists Area; 2.6 Inspector Area (Keyboard Shortcut - I); Region Parameters; Track Parameters; Arrange Channel Strip; 2.7 Transport Bar and Toolbar; 2.8 Tools, Local Menus, and Contextual Menus; 2.9 Adjusting How You View the Arrangement: Zooming In and Out; 3 Getting Connected; 3.1 Introduction; 3.2 USB Devices; USB - An Introduction; USB Audio Interfaces; USB Controller Keyboards; 3.3 FireWire Devices; 3.4 PCI Express
- 3.5 Other Audio EquipmentMicrophones; Monitors; Headphones; Outboard; 3.6 Integration into Logic - Audio Preferences; 3.7 Hard Drives; SATA and Internal Hard Drives; 3.8 Control Surfaces; 3.9 Distributed Audio Processing and External DSP Solutions; Using Multiple Macs; 3.10 What Is MIDI?; 3.11 Digidesign Hardware Integration with Logic; 4 Starting a Project; 4.1 Introduction; 4.2 Assets and Projects; Save As...; 4.3 Working with Tracks; Audio; Software Instrument; External MIDI; 4.4 An Introduction to the Audio Mixer; Input Monitor (I); Record Arm (R); Mute (M); Solo (S)
- 4.5 Using the Transport and TimelineBar Ruler; 4.6 Your First Recording; Difference between Mix Levels and Monitoring Levels While Recording; 4.7 Overdubs and Punching-In and -Out; Quickly Punching-In Material; Recording in Cycle Mode; Autopunch; Introducing Take Folders; 4.8 Creating Further Tracks and Track Sorting; Creating Duplicate Tracks; Creating Tracks with the Next Instrument; Creating Tracks with Duplicate Settings; Sorting and Organizing Tracks; 4.9 The Audio Bin and Importing; Importing Other Audio Files and CDs; 4.10 Working with Apple Loops
- Audio Files versus MIDI Files and InstrumentsImporting Apple Loops into Your Session; 4.11 Improving What the Artist Hears - Headphone Mixes; Monitor Mix; Cue Mix; 4.12 Monitoring through Effects; Accounting for Processing Latency; 5 Audio Regions and Editing; 5.1 Introduction; 5.2 The Big Picture - Forming Your Basic Arrangement; 5.3 Using the Inspector; 5.4 Working with Loops, Copies, and Aliases; Making Multiple Copies; Loops; 5.5 Precise Region Editing; 5.6 Snapping - Understanding Your Editing Grid; Going Finer - Bypassing Snap and Nudging Regions; 5.7 Resizing and Cutting Regions
- Cutting a Region with the Scissors Tool