Single-camera video production
Single Camera Video Production, fifth edition is intended for the beginning media student and as a reference for experienced media professionals to review the rapidly changing technology and production techniques in the digital media production field.Single Camera Video Production provides an overvi...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Burlington, Mass. :
Focal Press
2010.
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| Edición: | 5th ed |
| Colección: | Media manuals.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628311506719 |
Tabla de Contenidos:
- Single-Camera Video Production; Copyright; Contents; Introduction; Additional Comments on the Fifth Edition; Acknowledgments; Chapter One Production Philosophy; The Production Process; Importance of Goals-Audience Analysis; Importance of Workflow; Difference between Studio and Field Production; Importance of Technology; Chapter Two The Technology; Connecting the Real World to the Digital World; Limitations of Equipment; Audio Signals; Frequency; Amplitude; Measuring Audio Signals; Compression; Video Signals; Changing Light into Electrons; Synchronization; Scan Systems; Measuring Video Signals
- Video CompressionChapter Three The Equipment; Equipment Development; Cameras; Camera Types; Handheld Cameras; HDV Professional Camera; Broadcast Camera; Digital Cinema Camera; Specialized Digital Cameras; Image Sources and Optics; Tubes; Chips; Optics; Focal Length; Focus; Aperture; Depth of Field; Viewfinder and Camera Controls; Viewfinder; Camera Controls; Bars/Gain Selector; Color Temperature Control/Filter Selector; White Balance; Camera Supports; Tripods and Body Mounts; Cranes, Dollies, and Pedestals; Handholding the Camera; Digital Recording; Recording; Recorder Operation
- Connecting EquipmentCable Coiling; Power Connectors and Plugs; Audio Connectors; Video Connectors; Digital Connectors; Audio; Microphone Types; Electronic Impedance; Element Construction; Pickup Pattern; Mounting Devices; Nonmicrophone Audio Sources; Which Audio Track to Use; Lighting; Floodlights; Focusing Spotlights; Fixed-Focus Instruments; Controlling Light; Power Sources; Color Temperature; Measuring Light Intensity; Lighting Ratio; Contrast Ratio; Chapter Four The Production Process: Preproduction; Preliminary Forms; The Proposal; Treatment; Legal Considerations; Script Formats
- Scene ScriptShooting Script; Script Formats; Single-Column Format; Dual-Column Format; Organizing Forms; Storyboards; Location Scouting; Site Survey; Organizing Equipment and Crew; Chapter Five The Production Process: Production; Production Stages and Setup; Setting Up; Field Equipment Considerations; Camera Setup; Audio Preparation; Prompting Devices; Sets and Properties; Lighting Preparation; Controlling Color Temperature; Controlling Light Intensity; Contrast Range; Basic Three-Point Lighting; Backlight; Key Light; Fill Light; Kicker and Set Lights; Multiple or Moving Subjects
- Creative LightingMood Lighting; Lighting for Time, Date, and Location; Directing and Rehearsing; Directing Talent; Rehearsal; Shooting; Shooting and Framing; Standard Shot Names; Framing Principles; Aspect Ratio; Critical Area; Lead Room or Edge Attraction; The Rule of Thirds; Creating Movement; Subject Movement; Camera Movement; Movement through Zooms; Z-Axis Movement; Graphic Force Movement; The Third Movement: Editing; Shoot to Edit; Continuity of Action; Continuity of Direction; Continuity of Location; Cover Shots; In-Camera Effects; Iris Fades; Roll or Rack Focus; Swish Pans and Zooms
- Reversing Polarity
