Screenwriter's compass character as true north
Ever watch a movie, and despite great production value, fantastic action sequences, a great cast, etc, you come away thinking-I just didn't buy it. Chances are it was because you didn't care about the characters. Screenwriter's Compass presents a new way of approaching screenwriting,...
| Autor principal: | |
|---|---|
| Autor Corporativo: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Waltham, Mass. :
Elsevier
2012.
|
| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628278706719 |
Tabla de Contenidos:
- Cover; Screenwriter's Compass: Character As True North; Copyright; CONTENTS; PREFACE; ACKNOWLEDMENTS; 1 FIRST THINGS; SCREENWRITER'S COMPASS; BIG DEAL-YOU'RE WRITING A SCREENPLAY; GEAR UP; SCREENWRITING IS WRITING; CRAFTSMANSHIP; 2 GROUNDWORK; READING THEORY; UPESETTING ARISTOTLE; PUTTING ARISTOTLE TO WORK; CHARACTER-DRIVEN VERSUS PLOT-DRIVEN; FABLE AND CONSTRUCT; TURNING THEORY TO TASK; 3 GETTING READY; MASTER SHOT SCREENPLAY; READING SCREENPLAYS; COMPOSITION CREATES STORY; ON OUTLINES; ON CHARACTER HISTORIES; ON TREATMENTS; ON ADAPTATION; 4 FIRST DRAFT; THE BLANK PAGE
- SCENE AND ACTION DESCRIPTIONBEING GOD; HEARING VOICES; EMPATHY; THINKING OF STRUCTURE; BREAKING A BLOCK; 5 REVISION; FIRST READER; LOOKING AGAIN FOR LOGIC; QUESTIONS; CHALLENGES AND PITFALLS; ON EXPECTATION; 6 FINISHING; WRIGHTING A SREENPLAY; SCREENPLAY FORMAT; PROOFRADING; SUBMISSION; 7 GETTING READY AGAIN; PASSION AND PURPOSE; HAPPY ACCIDENT; INTUION AND ANALYSIS; LESSONS; INDEX
