Producing animation
Drawing heavily from the authors' twenty years of combined experience, Producing Animation offers a clear overview of this exciting industry and a comprehensive guide to the process of developing a project from conception to final delivery. Written from the perspective of a producer, this book...
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Boston :
Focal Press
2001.
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| Edición: | 1st edition |
| Colección: | Focal Press visual effects and animation series.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628278506719 |
Tabla de Contenidos:
- Front Cover; Producing Animation; Copyright Page; Contents; Foreword; Acknowledgments; 1. Introduction; Commonly Asked Questions about Producing Animation; 2. The Animation Producer; What Is an Animation Producer?; Executive Producer; Producer; Line Producer or Co-Producer; Associate Producer; Producer's Responsibilities; Our Philosophy of the Ideal Producer; What Makes a Good Animation Producer?; The Producer's Thinking Map; 3. Buying and Selling Projects; Sources for Ideas; The Buyer; Creative Executive; Production Executive; Preparing a Pitch; Pitching; Representation
- The Negotiation Process4. The Core Team; An Overview of the Core Team; The Role of the Director; Director's Responsibilities; Visual Development Artists; Business Affairs and Legal Department(s); The Technology Department; Technical Direction; Systems Administration; Information Systems; Research and Development; Production Accounting; Human Resources; Recruiting; Training; 5. The Development Process; Development Process Overview; The Role of the Producer During Development; Visual Development; The Writing Process; Script Stages; The Feature Script; Writer's Deals; Production Scripts
- 6. The Production PlanProduction Plan Overview; List of Assumptions; Getting Started: The Production Plan; Delivery Date; The Schedule; Project's Format, Length, and Technique; Complexity Analysis; The Crew Plan; The Level of Talent; The Role of Key Personnel; Creative Checkpoints; Buyer's Responsibilities; Marketing, Licensing, and Promotions; Payment Schedule; The Physical Production Plan; Training; Relocation Costs; Reference and Research Material; Archival Elements; Contingency; Building the Budget; Chart of Accounts; Cost Reports; 7. The Production Team
- The Role of the Producer in Structuring the Production TeamThe Production Crew; The Production Manager; Department Supervisor; Production Supervisor; Production Coordinator or Assistant ProductionManager (APM); Script Coordinator; Production Assistant; Production Secretary; Subcontractors; Identifying and Selecting a Subcontractor; Negotiating the Deal; Overseas Supervisors; Material Packages/Shipments; Handing Out the Project; Monitoring the Progress of Production; Receiving Material from the Subcontractor; Expect the Unexpected; 8. Pre-Production
- The Role of the Producer During the Pre-Production PhaseDesign and Art Direction; The Visual Style Guide; Model Pack; The Voice Track; Casting; Rehearsal; Session Preparation; Recording; Storyboarding; Getting Started; The Three Stages of Storyboarding; Animation Timing; Story Reels and Animatics; Leica Reel; Building the Reel; Executive Screenings; Sluggin; Exposure Sheets; Songs; Producing Songs; Title Sequence; Preparing a Shipment: Checking and Route Sheets; 9. Production; The Role of the Producer During the Production Phase; Complexity Analysis; Buyer's Creative Checkpoints
- Ancillary Groups
