Directing and producing for television a format approach
Directing and Producing for Television provides you with the tools you'll need to direct and produce effectively in a variety of settings. Based on his years of experience in the industry and teaching the subject, Cury illustrates fundamental principles with engaging anecdotes that teach by exa...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Elsevier
2011.
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| Edición: | 4th ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628275906719 |
Tabla de Contenidos:
- Cover; Directing and Producing for Television; Copyright ; Dedication; Table of Contents; Preface and Acknowledgments; 1. Introduction; The Director/Producer's Job; Television Formats; First Big Divide; Second Big Divide; Basics for All Formats; The Scaled Ground Plan; Cross-Shooting; The 180-Degree Rule; Rule of Thirds; Some Conventions; Inventions, Innovations, and Trends; New Conventions; Overall Scope and Plan of the Text; Review; 2. The Facility; Parts of Any Facility; The Studio; The Control Room; The Support Area; The Studio; The Floor; Walls; The Grid; Electric Outlets; Circuits
- The CeilingThe Control Room; Audio Gear: Control Room; Video Gear; The Studio Complement; Camera Equipment; Audio Equipment; Stage Equipment; Support Areas; Entrance and Lobby; Office Space; Green Room; Dressing Rooms; Makeup; Hair; Wardrobe; Master Control; Recording; Feeds; Library; Telecine; Graphics; The Audience; Screening Rooms; Review; 3. Who's Who; Preproduction; The Executives; The Production/Program Assistants; The Director; The Production Manager; Operations/Scheduling; Engineering; Accounting; The Set Designer; The Art Director/Set Decorator; The Lighting Designer
- Optional AttendeesProduction; Reception; Studio Manager; Engineering Crew; Stage Manager; Stage Crew; Paint Crew; Prop Crew; Light Crew; Talent; Choruses, Extras, Family and Friends, and Animals; Graphics; Makeup and Hair; Postproduction; The Account Executives/Sales; Scheduling; Reception; Library; Shipping; The Editors and Editing; The Sound Mixer; Management Services; Review; Preproduction; Production; Postproduction; Editing History; 4. Panel Programs; Seating Arrangements; Ground Plan and Pictures of a Typical Panel Program; Seating Arrangements and Camera Coverage
- 180 Degrees with the Host at the End: Pros and ConsShooting 180 Degrees with the Host at the End; 180 Degrees with the Host in the Middle: Pros and Cons; Shooting 180 Degrees with the Host in the Middle; 360 Degrees-Host Surrounded: Pros and Cons; Shooting 360 Degrees; Program Routine; Script Format; Rehearsal Procedure; Item #1; Item #2; Item #3; Item #4; Item #5; Item #6; Item #7; Item #8; Item #9; Item #10; The Shoot; Review; 5. Demonstration Format; Director in Control; Show-and-Tell Material: A Guideline for Creation; Preproduction; Production; Coordinate Pictures with Ideas
- Create a RoutineRehearsal; The Real Thing; Display Area; The Demonstration; Single-Camera Demonstration Programs; Review; 6. Scripted Format; Drama; Conventions; The Ground Plan; The Shooting Script; Pencil Exercise; Marking the Blocking; Marking the Cameras; Shot Sheets; Rehearsal Room; Studio Walk-Through; Studio Run-Through; Recording/Live; Rehearsal Schedules; Daytime Drama Rehearsals; Sitcoms; Scored Music; Dance Script; Rehearsing; Review; 7. Music; Preproduction; Routine Considerations; Preproduction-The Rehearsal; Preproduction-Rehearsal Hall; General Rehearsal Guidelines
- Recording Steps
