Technical design solutions for theatre the technical brief collection. Volume 3
Technical Design Solutions for Theatre is a collection of single-focus articles detailing technical production solutions that have appeared in The Technical Brief Collection , a publication of the Yale School of Drama's Technical Design and Production Department. The primary objective of the pu...
| Autores Corporativos: | , |
|---|---|
| Otros Autores: | , |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Focal Press
2013.
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| Edición: | 1st edition |
| Colección: | Technical design solutions for theatre ;
v. 3 |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628264806719 |
Tabla de Contenidos:
- Front Cover; Technical Design Solutions for Theatre: The Technical Brief Collection Volume 3; Copyright Page; Table of Contents; Costumes; Taking a Pattern from an 18th-Century Clothing Piece: Linda Kelley-Dodd; Deriving a Pattern for 18th-Century American Men's Fall-Front Breeches: Linda Kelley-Dodd; Lighting; Calculating LED Circuit Requirements: Daniel T. Lisowski; Magnetic Color Flipper for a Source Four® 10° Follow Spot: Kathryn Krier; Focus Track and Chair: Jonathan A. Reed; The Panhandler: Pillow-Block Assist for ERS Panning: Brian Swanson; Modular Stor-Mor Solution: Joel Furmanek
- The Cadillac of Rolling Booms: Matt WelanderDimmable Fluorescents: Alan Hendrickson; Guidelines for Using Neon on Steel Structures: Chris Swetcky; Using Black Screening Material as Inexpensive "Black Scrim" Panels: Barbara Tan-Tiongco; Lighting Effects; A Motion-Controlled Practical: Pablo Souki; Overlooking-the-Town Light Box: Christopher Jensen; A Light-Beam Box: Michael Kraczek; Safe Chimney Smoke Generators: Maura LaRiviere; An Inexpensive Fog Chiller: Steven Hood; Constructing a Battery-Powered Candle: Eric Lin; Simulating Neon with Rope Light: Chris Russo; A Liquid Lamp: Karen Walcott
- PaintingA Durable Plaster Texture Revisited: Owen M. Collins; An Affordable Gold Leaf Finish: Ben Stark; A More User-Friendly Lining Stick: Don Harvey; Large-Scale Crackle Paint Effect: Ben Stark; A Clean Solution for Colored Dirt: Nora Hyland; Using Alum to De-Wrinkle Drops: Nicole L. Bromley; Projections; Melded Technologies: Video Projections and Moving Mirrors: M. Barrett Cleveland; Low-Memory, High-Quality Digital Images for the Stage: David B. Carter; A Servo-Controlled Projector Dowser: Lung-Kuei Lin; Low-Cost RP Screens for the Stage: Daniel J. Anteau
- A Stock Batten-Mounted Projector: Bracket Pierre-André SalimProps; Making a Severed Head: Michael Banta; Replicating Bones, Part I: Molds: Julia Powell; Replicating Bones, Part II: Casting: Julia Powell; Realistic Stage Stun Gun: Mike Vandercook and Joe Huppert; CO2 Gunshot Wound: Brian Smallwood; Three Favorite Blood Recipes: Jennifer McClure; Three Techniques for Applying Stage Blood: Sandra Jervey and Jennifer McClure; Urinal Head Wax Mold Casting Process: Andrew Hagan; A Device to Simulate Urination Onstage: Ryan C. Hales
- Bas-Relief Sculptures in Durham's Rock Hard Water Putty®: Greg Blakey and Samantha PorterA Cremora®-Fueled Pyrotechnic Alternative: Adam J. Dahl; A Remotely Extinguished Cremora®-Fueled Chris Peterson Flame Effect: Chris Peterson; A Mechanism for a Battery-Operated Torch: Katherine Gloria Tharp; A Safe Glass Mirror Breaking Effect: John McCullough; 1970s' Period Pull-Tab Beverage Cans: Jeff Smejdir; An Affordable Chair for Sweeney Todd: Colin Buckhurst; Using a Trolling Reel to Move Small Furniture and Props: Steve Schmidt; Hand-Held Dancing Fireflies: Andrew V. Wallace; Rigging Hardware
- An Adjustable Flat Hanger: Moshe H. Peterson
