The continuity supervisor
The Continuity Supervisor is a practical guide to the basics of continuity, designed to be of use both to the newcomer and those more experienced. Formerly titled 'The Continuity Handbook: a guide for single-camera shooting, this new edition covers the latest technological changes which affect...
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Oxford [England] ; Boston :
Focal Press
c2000.
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| Edición: | 4th ed |
| Colección: | Media manuals.
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628226706719 |
Tabla de Contenidos:
- Front Cover; The Continuity Supervisor; Copyright Page; Contents; Preface; Acknowledgements; Introduction; Out of Sequence Shooting: 1; Story; Scenes in story order; Out of Sequence Shooting: 2; Shooting in story order; Shooting plan; Number of days; Position of locations; Location availability; Actor's availability; Shots in Scenes Out of Order; To save time; The Work of Continuity; Back to the original story; Setting up: General; Scripted or unscripted; The Production Team: 1; Involved in setting up; The Production Team: 2; Involved on set; The Crew; Camera crew; Sound crew; Design
- Costume and make-upThe Script: 1; Numbering; Colour-coding; Scenes; Time; New scene, new page; The Script: 2; Body of script; Size of script; Scene Breakdown; Timing the Script; Time chart; Read-through; Booking Facilities; Artists and How to Book Them; Artists; Agents; Auditions; Names and addresses; Scripts and schedules; Hours of work; Supporting Artists; Definition of a supporting artist; Definition of a walk-on; Where to obtain supporting artists and walk-ons; Don't get carried away!; Children and Animals: 1; Where to find children; Licences; Children and Animals: 2; Regulations
- Chaperones and tutorsAnimals; Locations: 1; How to find your location; Locations: 2; Accommodation; Finding what is available; Finding the hotels; Making the booking; Yóur own booking; Travel; Overseas shooting; Travel in this country; Car parking; Food (Or to Location Cater or Not . . .); Other types of catering; Other meal breaks; If you are far from civilisation; Insurance; Costume and Make-Up; Costume; Make-up; Props and Design; Action props; Design; Shooting Schedule: 1; Cover page; Cast list; Travel; Accommodation; Location and contacts; Shooting Schedule: 2; A day to a page
- A week to a pageRendezvous; Shooting order; Rescheduling; Shooting Schedule: 3; Artists' information pack; Travel information; Daily call sheets; Documentary-Type Productions; Research; Learning about new things; 'Find Out All You Can About . . .'; The subject; Other bodies for research; What to Take on Location . . .; Scripts, schedules, call sheets, artists' information packs etc.; Anything to do with the production; Stationery and forms; Miscellaneous; Specifically for continuity; . . . And Don't Forget the Boots . . .; Warm or tropical countries; Cold countries; Specialised Observation
- Accurate observationTraining in observation; Continuity: A Team Effort?; Your Role Within the Unit; Avoid being sidetracked; Continuity is your responsibility; Making Mistakes; What to do over a mistake; Be positive; Knowledge of the Script; Marking up script; A-Z; Keep up to date; Script interleaved with notes; Coverage Planned; Important junctions; Circulated shot lists; Shooting script; Storyboard; How to Keep Informed; Look at the shot itself; Stick by the director; Master shot then cutaways; Position of the zoom handle; Keep close behind the camera; Look through the viewfinder
- Always ask
