DSLR cinema crafting the film look with video
Large sensor video cameras (DSLRs) offer filmmakers an affordable, high-quality image previously impossible without high-end cinema cameras. These video-capable DSLR cameras have revolutionized filmmaking, documentary production, journalism, television, and even Hollywood cinema. This book empowers...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Boston :
Focal Press/Elsevier
2011.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628203006719 |
Tabla de Contenidos:
- Cover; DSLR Cinema: Crafting The Film Look With Video; Copyright; Table of Contents; Dedication; Acknowledgments; Foreword; About The Website; Introduction: The HDSLR Cinema Revolution; Part 1. DSLR Shooter's Toolkit: A Cinematographer's Guide To Crafting Astounding Images And Telling Better Stories; Chapter 1. Composition, Blocking, And Camera Movement; Chapter 2. Lighting Your Dslr Shoot; Chapter 3. Exposing Your Shots With Dslrs: Metering With The Zone System And Using The Right Lens; Chapter 4. Using DSLR Picture Styles: Pitfalls Of Presets And Creating Custom Styles
- Chapter 5. Recording Quality Audio With Dslrs: Yes, It's Possible!Chapter 6. DSLR Postproduction Workflow And Techniques: Transcoding Footage, Syncing Audio, And Color Grading; Chapter 7. Telling Better Stories With Your Dslr; Part 2. Master DSLR Shooters At Work: Case Studies; Chapter 8. Crafting The Film Look With Postproduction Work: Casulo (2009), Directed By Bernardo Uzeda, Brazil, 17 Min.; Chapter 9. Crafting The Film Look By Building A Rapport With Characters: 16 Teeth: Cumbria's Last Traditional Rakemakers (2009), Directed By Rii Schroer, England, 2:29 Min.
- Chapter 10. Crafting The Film Look With Cinema Lenses: A Day At The Races (2010), Directed By Philip Bloom, United States, 6:00 Min.Chapter 11. Crafting The Film Look With Location And Cgi Art: The Chrysalis (2010), Directed By Jeremy Ian Thomas, United States, 6:54 Min.; Chapter 12. Crafting The Film Look With Light, Composition, And Blocking: The Last 3 Minutes (2010), Directed By Po Chan, Director Of Photography Shane Hurlbut, Asc, ...; Part 3. Getting The Gear; Chapter 13. DSLR Cinema Gear By Budget; Chapter 14. Conclusion: From Film To Hdslr Cinema; Afterword; Appendix 1: Image Resolution
- Appendix 2: ISO Tests For The Canon 5d Mark Ii And 7dAppendix 3: Exposure And Dynamic Range; Appendix 4: Luminance And Chrominance Compression; Appendix 5: Story Treatment To The Last 3 Minutes By Po Chan; Appendix 6: Twelve Steps For Hdslr Shooting; Index
