Film directing fundamentals see your film before shooting
Film Directing Fundamentals gives the novice director an organic methodology for realizing on the screen the full dramatic possibility of a screenplay. Unique among directing books, this book provides clear-cut ways to translate a script to the screen. Using the script as a blueprint, the reader is...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Boston :
Focal Press
2008.
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| Edición: | 3rd ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628135906719 |
Tabla de Contenidos:
- Cover; Film Directing Fundamentals; Copyright; Contents; Foreword; Acknowledgments; Introduction; Part One: Film Language and a Directing Methodology; Chapter 1. Introduction to Film Language and Grammar; The Film World; Film Language; Shots; Film Grammar; The 180-degree Rule; The 30-degree Rule; Screen Direction; Film-time; Compression; Elaboration; Familiar Image; Chapter 2. Introduction to the Dramatic Elements Embedded in the Screenplay; Spines; Whose Film Is It?; Character; Circumstance; Dynamic Relationship; Wants; Expectations; Actions; Activity; Acting Beats; Dramatic Blocks
- Narrative BeatsFulcrum; Chapter 3. Organizing Action in a Dramatic Scene; Dramatic Elements in Alfred Hitchcock's Notorious Patio Scene; Notorious Patio Scene Annotated; Chapter 4. Staging; Patterns of Dramatic Movement; Changing the Stage Within a Scene; Staging as Part of a Film's Design; Working with a Location Floor Plan; Floor Plan for Notorious Patio Scene; Chapter 5. Camera; The Camera as Narrator; Reveal; Entrances; Objective Camera; Subjective Camera; Where Do I Put It?; Visual Design; Style; Coverage; Camera Height; Lenses; Composition; Where to Begin?
- Working Toward Specificity in VisualizationLooking for Order; Dramatic Blocks and Camera; Shot Lists, Storyboards, and Setups; The Prose Storyboard; Chapter 6. Camera in Notorious Patio Scene; First Dramatic Block; Second Dramatic Block; Third Dramatic Block; Fourth Dramatic Block and Fulcrum; Fifth Dramatic Block; Part Two: Making Your Film; Chapter 7. Detective Work on Scripts; Reading Your Screenplay; A Piece of Apple Pie Screenplay; Whose Film Is It?; Character; Circumstance; Spines for a Piece of Apple Pie; Dynamic Relationships; Wants; Actions; Acting Beats; Activity
- Tone for a Piece of Apple PieBreaking a Piece of Apple Pie into Actions; Designing a Scene; Visualization; Identifying the Fulcrum and Dramatic Blocks; Supplying Narrative Beats to a Piece of Apple Pie; Director's Notebook; Chapter 8. Staging and Camera for a Piece of Apple Pie; Staging; Camera; Conclusion; Chapter 9. Marking Shooting Script with Camera Setups; Chapter 10. Working with Actors; Casting; Auditions; First Read-through; Directing During Rehearsals; Directing Actors on the Set; Chapter 11. Managerial Responsibilities of the Director
- Delegating Authority While Accepting ResponsibilityThe Producer; The Assistant Director; A Realistic Shooting Schedule; Working with the Crew; Working with the Director of Photography; Chapter 12. Postproduction; Editing; Music and Sound; Locking Picture, Or, How Do You Know When It's Over?; An Audience and a Big Screen; Part Three: Organizing Action in an Action Scene; Chapter 13. Staging and Camera for over Easy Action Scene; Development of Screenplay; Director's Preparation for Directing an Action Scene; Where to Begin?
- Over Easy Action Scene/staging and Camera Angles for Storyboard Artist
