The grip book the studio grip's essential guide
Gain the essential skills of a professional grip to become the jack and master of all trades on a movie or television show set. Discover vital insider tips ranging from how to operate cutting-edge rigging and lighting equipment to performing difficult camera mounts on aircraft, boats, cars, and trai...
| Otros Autores: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Burlington, Mass. :
Focal Press
2014.
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| Edición: | 5th ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628073706719 |
Tabla de Contenidos:
- Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Contributing Companies, Manufacturers, and Suppliers; Contributing Companies; Manufacturers and Suppliers; Note from the Author; About the Author; What Could Happen on Your Way to the Throne!; Acknowledgments; A Bit of Encouragement; Companion Website; 1. Introduction; What This Book Is About; About the Equipment; A Professional's Tips on the Trade; Self-Test; Getting Started; A Little Grip History; The Grip Department; Key Grip; Best Boy Grip; Grips; Grip Zones; High Person; Hip Pocket Grip; Call Time
- A Typical Day for a GripSetting Up a Shoot; Call Sheet; Front Side of Call Sheet; Back Side of Call Sheet; Warehouse Stages; How It Goes on the Set; Grip Job Description; Tools; Physical Requirements; What to Expect; the unexpected; Pace on the Set; What Key Grips Like; Warning/Disclaimer; The Big Break (Strictly for the Brand-New Grip!); Ron's words; Set Etiquette; Call Time; New on the Set; Offering Expert Advice; Offering a Hand; Can We Help?; Don't Be a Hero; Titles; These Are Always Out of Line for Crews; Wrap Time; Being a Professional Crew Member; An Eager Attitude
- How to Get Hired AgainHow Not to Get Hired Again; Personality Problems; Résumés; Peer Evaluation; Your Voice Mail Message; Company Vehicles; Examples of Bad Bosses; My, My, My; Being a Good Communicator; Teachers and Students; Being Professional When You're Boss; The Morning of the Shoot; Always in Line for Production; Always Out of Line for Production; Filling Out the Time Card; Crew Issues to Address; From Other Departments; Location Etiquette: Getting Along with Locals; Some Thoughts on Equipment; Crews and Their Own Equipment; The Professional Look; Health on the Set
- Last Thoughts and Parting Advice"Juices"; Success and the Ego; Financial Responsibility; Ron Dexter's Suggested Book and Source List; Sources; Publishers; 2. Essential Equipment; Apple Boxes; Baby Plates; Bar Clamp Adapter Pin; Basso Block; Bazooka; Bead Board Holder; Big Ben Clamp; Branch Holder; C-Clamp Branch Holder; Tree Branch Holder; Cable Crossovers; C-Clamps; Camera Wedge; Cardellini Clamp; Chain Vise Grips; Clipboard; Condor Bracket; Cribbing; Crowder Hanger/No Nail Hanger; Cucoloris; Cup Blocks; Dots and Fingers; Drop Ceiling Scissor Clamp/Cable Holder; Drop-Down, 45-Degree Angle
- Empty FramesFlag Box/Scrim Box; Flags and Cutters; Cutters; Flexarms; Furniture Clamp; Furniture Pad; Gaffer Grip; Grid Clamp; Grifflon; Grip Clip; Grip/Electrical Stage Box; Grip Helper; Grounding Rod/Spike; Hand Truck; Ladder; Lamppost System (by Backstage Equipment); Mafer Clamp; Matt Pipe Adapter Baby; Matt Poles-Polecats; Meat Ax; Miniboom; Muscle Truck/Cart; No-Nail Hanger/Crowder; Offset Arms; Parallels; Pipe Clamp, Baby; Pipe Clamp, Junior; Pony Pipe Clamp; Poultry Bracket (Matthews); Putty Knife; Reflector; Reflector Slip-Ons (Scrims); Sandbags; Scrims-Grip; Single Net; Double Net
- Lavender Net
