Screenwriting tips, you hack 150 practical pointers for becoming a better screenwriter
Screenwriting Tip #99Voice-over usually feels like scaffolding. You know-something you left in there when you were constructing the first draft, but really should have torn out after it served its purpose.Screenwriting Tip #120Always remember that funny trumps everything. Your script could be writte...
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Boston :
Focal Press
c2012.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009628026506719 |
Tabla de Contenidos:
- Cover; Screenwriting Tips, You Hack 150 Practical Pointers for Becoming a Better Screenwriter; Copyright; Table of Contents; Introduction; Chapter one FADE IN: Before You Put Digits to Keyboard; Screenwriting Tip #1; Screenwriting Tip #2; Screenwriting Tip #3; Screenwriting Tip #4; Screenwriting Tip #5; Screenwriting Tip #6; Screenwriting Tip #7; Screenwriting Tip #8; Screenwriting Tip #9; Screenwriting Tip #10; Chapter two No Idea: Concept Is King; Screenwriting Tip #11; Screenwriting Tip #12; Screenwriting Tip #13; Screenwriting Tip #14; Screenwriting Tip #15; Screenwriting Tip #16
- Screenwriting Tip #17Screenwriting Tip #18; Screenwriting Tip #19; Screenwriting Tip #20; Chapter three Rebel without a Plan: Outlining Is the Best Present You Can Give Your Future Self; Screenwriting Tip #21; Screenwriting Tip #22; Screenwriting Tip #23; Screenwriting Tip #24; Screenwriting Tip #25; Screenwriting Tip #26; Screenwriting Tip #27; Screenwriting Tip #28; Screenwriting Tip #29; Chapter four Inciting Incident: Away We Go; Screenwriting Tip #30; Screenwriting Tip #31; Screenwriting Tip #32; Screenwriting Tip #33; Screenwriting Tip #34; Screenwriting Tip #35; Screenwriting Tip #36
- Screenwriting Tip #37Screenwriting Tip #38; Chapter five Structure: Learn the Rules or Get Off the Field; Screenwriting Tip #39; Screenwriting Tip #40; Screenwriting Tip #41; Screenwriting Tip #42; Screenwriting Tip #43; Screenwriting Tip #44; Screenwriting Tip #45; Screenwriting Tip #46; Screenwriting Tip #47; Screenwriting Tip #48; Screenwriting Tip #49; Chapter six Description and Word Choice: Say What You Mean; Screenwriting Tip #50; Screenwriting Tip #51; Screenwriting Tip #52; Screenwriting Tip #53; Screenwriting Tip #54; Screenwriting Tip #55; Screenwriting Tip #56
- Screenwriting Tip #57Chapter seven Your Protagonist: The Most Interesting Girl in the Room; Screenwriting Tip #58; Screenwriting Tip #59; Screenwriting Tip #60; Screenwriting Tip #61; Screenwriting Tip #62; Screenwriting Tip #63; Screenwriting Tip #64; Screenwriting Tip #65; Screenwriting Tip #66; Screenwriting Tip #67; Screenwriting Tip #68; Chapter eight Showing Character: Surprises, Sock Puppets, and Bad, Bad Men; Screenwriting Tip #69; Screenwriting Tip #70; Screenwriting Tip #71; Screenwriting Tip #72; Screenwriting Tip #73; Screenwriting Tip #74; Screenwriting Tip #75
- Screenwriting Tip #76Screenwriting Tip #77; Chapter nine Dialog: We Need to Talk; Screenwriting Tip #78; Screenwriting Tip #79; Screenwriting Tip #80; Screenwriting Tip #81; Screenwriting Tip #82; Screenwriting Tip #83; Screenwriting Tip #84; Screenwriting Tip #85; Screenwriting Tip #86; Screenwriting Tip #87; Screenwriting Tip #88; Screenwriting Tip #89; Chapter ten Genre: Waiter, There's a Comedy in My Thriller; Screenwriting Tip #90; Screenwriting Tip #91; Screenwriting Tip #92; Screenwriting Tip #93; Screenwriting Tip #94; Screenwriting Tip #95; Screenwriting Tip #96
- Screenwriting Tip #97
