The DSLR filmmaker's handbook real-world production techniques
A how-to guide for getting professional-quality video from your DSLR Shooting HD Video with a video-enabled DSLR has many benefits and some tricky drawbacks that digital filmmakers and videographers can overcome to get professional results. The DSLR Filmmaker's Handbook helps filmmakers harness...
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| Otros Autores: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Indianapolis, Ind. :
Wiley Pub., Inc
2012.
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| Edición: | 1st ed |
| Colección: | Sybex serious skills
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| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627989706719 |
Tabla de Contenidos:
- The DSLR Filmmaker's Handbook; Acknowledgments; About the Authors; Contents; Introduction; Who Should Read This Book; What Is Covered in This Book; How to Contact the Authors; Chapter One: Fundamentals of DSLR Filmaking; Fundamentals of DSLR Filmaking; Features of DSLR Cameras; Features of SLR Lenses; How Sensor Size and Lenses Interact; Chapter Two: Gear and Recommendations; Gear and Recommendations; What Camera Is Right for You?; Lenses and Accessories; Lights; Audio; Tripod and Dollies; Specialty Items and Miscellaneous; Planning Your Gear Package
- Chapter Three: Testing and Custom SettingsTesting and Custom Settings; Camera-Specific Testing; Testing Equipment Interactions; Using In-camera Presets; Changing the Camera Presets for Image Control; Customizing Your Picture Style: Steps for Canon DSLR Cameras; Chapter Four: Cameras and Lenses on Location; Cameras and Lenses on Location; Using Cameras on Location; Using Lenses on Location; Chapter Five: Camera Motion and Support; Camera Motion and Support; Camera Motion; Types of Camera Movement; Planning the Motion; Gear for Designing and Controlling Movement; Stabilizing Your Camera Motion
- Motion, the Edit, and CuttingChapter Six: Lighting on Location; Lighting on Location; Planning the Lights; Choosing Lights; Principles for Setting Lighting; Types of Lights by Position; Lighting for Special Situations; Managing Light; Light Quality; Picking Exposure; Chapter Seven: Sound on Location; Sound on Location; The Role of Sound; Recording Sound with DSLR Cameras; Microphones and Key Accessories; Planning, Setting Up, and Recording a Shoot; Chapter Eight: Organizing and Storing Data in the Field; Organizing and Storing Data in the Field; Setting Up a File System; Capture Formats
- Backing Up Your Footage on SetOrganizing Data on Set; Chapter Nine: Troubleshooting; Troubleshooting; Avoiding Problems: What to Do, What to Take; Shooting Problems; Hardware Problems; Ways to Save the Shot; Chapter Ten: Converting and Editing Your Footage; Converting and Editing Your Footage; Setting the Foundation for Post-Production Workflow; Choosing the Right Hard Drives; Backing Up Data; Choosing and Using an Editing Codec; Editing Your Footage; Chapter Eleven: Audio Crash Course; Audio Crash Course; Syncing Your Audio and Video; Troubleshooting Out-of-Sync Sound
- Automated Dialogue Replacement (ADR)Chapter Twelve: Color Correction and Grading; Color Correction and Grading; Color Theory and the Eye; Color Correction on Set: Outside of the Camera; Color Correction on Set: Inside of the Camera; What Is This Camera Shooting Anyway and Why Do I Care?; Post-Production Color Correction and Grading; Chapter Thirteen: Compression; Compression; Understanding Compression; Outputting Your Video; One File Fits All; Chapter Fourteen: Fixing It in Post; Fixing It in Post; Primary Color Correction; Micromanaging with Regional Color Corrections
- Secondary Color Correction
