Drawing & rendering for theatre a practical course for scenic, costume, and lighting designers
Drawing and Rendering for Theatre, A Practical Course for Scenic, Costume, and Lighting Designers is designed for those of you who are theatrical designers and want to improve your drawing and rendering skills.This gorgeous full-color book includes many examples of student drawings, analyzed and cr...
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Boston :
Focal Press
c2007.
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| Edición: | 1st edition |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627980406719 |
Tabla de Contenidos:
- Cover; Drawing & Rendering for Theatre: A PRACTICAL COURSE FOR SCENIC, COSTUME, AND LIGHTING DESIGNERS; Copyright; Table of Contents; Introduction; Chapter 1 The Benchmark Drawing; SETTING UP THE STILL LIFE; DRAWING THE STILL LIFE; Analysis; BEGINNING LEVEL; General Description of the Beginning Student; Assessing Your Experience with the Benchmark Exercise: Beginning Student Behavior; Examining the Benchmark Drawing: The Beginning Level; Drawing What You See; Perspective; Three-Dimensional Modeling; Composition; INTERMEDIATE LEVEL; General Description of the Intermediate Student
- Assessing Your Experience with the Benchmark Exercise: Intermediate Student BehaviorExamining the Benchmark Drawing: The Intermediate Level; ADVANCED LEVEL; General Description of the Advanced Student; Assessing Your Experience with the Benchmark Exercise: Advanced Student Behavior; Examining the Benchmark Drawing: The Advanced Level; CONCLUSION; Chapter 2 The Sketchbook; THE SKETCHBOOK DRAWING SESSION; Selecting Subject Matter; Targeting Areas for Improvement; Experimentation: Venture Outside of Your Comfort Zone; DEVELOPING GOOD DRAWING HABITS; Getting Started; Warming Up
- Stored Visual MemoriesChapter 3 Composition and Elements of Design; COMPOSITION; Page Format and Drawing Placement; Defining a Focal Point; ELEMENTS OF DESIGN; Line; Texture; Value Contrast; Chapter 4 Perspective; THE HORIZON LINE; SINKING AND RISING TOWARD THE HORIZON LINE, DIMINISHING SIZE, OVERLAPPING FORMS, ATMOSPHERIC PERSPECTIVE; VANISHING POINTS; One-Point Perspective; Two-Point Perspective; Round Objects in Perspective; WORKING WITH TWO-POINT PERSPECTIVE; Three-Point Perspective; Foreshortening; Chapter 5 Three-Dimensional Modeling; THE FUNDAMENTALS OF TROMPE L'OEIL; The Cartoon
- Base Value and Surface TextureThe Light Source; Shade and Lowlight; Cut Line; Highlight, Zinger, and Reflected Light; Cast Shadow; Chapter 6 Figure Drawing; MOVEMENT AND BALANCE; PROPORTION; The Head as a Unit of Measurement; Standard Proportions of the Body; Heads and Faces; The Torso and Arms; Hands; The Pelvis, Leg, and Foot; Chapter 7 Drawing Exercises; TOOLS AND MATERIALS; EXERCISE 1: FIGURE DRAWING FROM LIFE-SHORT POSES; Measuring the Model; Twenty-Second Poses; One-Minute Poses; Refining Your Drawing; Adding Detail; Assessing Rather Than Refining; Five-Minute Poses
- Checking for AccuracyNegative Space; Alignment; Adding Detail: Shading; The Twenty-Minute Pose; EXERCISE 2: THREE-DIMENSIONAL MODELING-DRAPERY; Setting Up the Drapery Model; The Two-Minute Drawing; The Ten-Minute Drawing; The Twenty-Five-Minute Drawing; EXERCISE 3: FIGURE DRAWING-THREE-DIMENSIONAL MODELING AND THE CLOTHED FIGURE; EXERCISE 4: DRAWING LIGHT BY ERASURE; Setting Up; The Two-Minute Warm-Up Drawings; The Five and Twenty-Five Minute Drawings; EXERCISE 5: EXPERIMENTING WITH LINE QUALITY; Experimenting with Pen and Ink Tools and Materials; EXERCISE 6: HAIR TEXTURES; Contour Drawings
- Shade and Lowlight
