The camera assistant a complete professional handbook
Veteran camera assistant Doug Hart describes in this comprehensive technical guide all of the important facets and duties of the first and second camera assistants' jobs. Whether it is feature films, episodic television, documentaries, commercials, or music videos, The Camera Assistant: A Compl...
| Autor principal: | |
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| Autor Corporativo: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Boston :
Focal Press
1996.
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| Edición: | 1st edition |
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| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627965606719 |
Tabla de Contenidos:
- The Camera Assistant: A Complete Professional Handbook; Copyright; CONTENTS; Preface; About This Book; About the Author; The Union; Trainee Program; Continuing Education; Workshops; Camera Assisting; Technical Books; Preferences; Individuality; Teaching; Intentions; Priorities and Attitude; Chapter 1 Introduction to Camera Assisting; What is a Camera Assistant?; Accepting Responsibility; Preventing Mistakes; Tell the Director of Photography; Generalities; Chapter 2 Responsibilities of the Camera Assistant; Overview; Director of Photography; Camera Operator; First Camera Assistant
- Second Camera AssistantStill Photographer; Compromises; Additional Camera Crew Personnel; Individuality; Geographic Differences; Other Departments; Grips; Sound; Script; Gaffer and Electrical Department; Teamsters; Assistant Director; Production Manager; Production Office Coordinator; Others; Chapter 3 Film Formats and Aspect Ratios; Film Gauges; Film Formats; Anamorphic Systems; Film Aspect Ratios; Advent of Sound; Wide-Screen Formats; 16mm Formats; 35mm Nonanamorphic (Spherical) Formats; 35mm Anamorphic Formats; 35mm Anamorphic and Horizontal Formats; 35mm Multistrip Systems
- 65mm Nonanamorphic (Spherical) Formats65mm Anamorphic Formats; Running Time for Various Film Gauges and Formats; High Definition TV (HDTV); Chapter 4 The Camera Equipment Checkout; The Importance of the Checkout; Camera Equipment Rental Houses; Before the Checkout; Rental House Personnel; The Philosophy of the Checkout; Reserved Equipment Packages; The Camera Equipment Checkout Checklist; The Rental Contract; Case Labeling; Chapter 5 Shooting Tests During Checkout; Tests; Registration Tests; Flicker Tests; Ground Glass Markings Test; Making Dailies Projection Leader; Ground Glass Position
- Lens AberrationsLens Sharpness; Lens Color; Emulsion Tests; Specifying Printing Lights; Filter Tests; Wardrobe and Makeup Tests; Actors' Screen Tests; Lab Continuity Test; Chapter 6 Loading/Unloading; Manufacturer's Film Can Label; Changing Bags; Darkrooms; Camera Trucks; Magazine Maintenance; Loading Procedures; Recanned Raw Stock; Short Ends; Magazine Labeling; Magazine Case Labeling; Film Can Labeling; Multiple Film Stocks; Ordering Raw Stock; Storage of Raw Stock; Shipping of Raw Stock and Exposed Film; Dealing with Laboratories; Hand Tests (""Slop"" Tests); Chapter 7 Lenses
- Lenses in GeneralPrime Lenses; Anamorphic Lenses; Lens Mounts; Zoom Lenses; Special Lenses; Macro Lenses; Tele-Extenders; Wide-Angle Adapters; Proxars (Plus Diopters)/Split Diopters; Cleaning Lenses; Matte Boxes/Sunshades; Lens Flare; Transporting Lenses; Condensation on Cold Lenses; Changing Lenses; Chapter 8 Filters; Sizes and Shapes of Filters; How Filters Work; Color Correction Filters; Color Compensation Filters; Neutral Density Filters; Graduated Filters; ""Attenuator"" Filters; Diffusion Filters; Polarizing Filters; Special Effects Filters; Behind-the-Lens Filters
- Behind-the-Lens Diffusion
