Introduction to media production the path to digital media production
<STRONG>Introduction to Media Production</STRONG> began years ago as an alternative text that would cover ALL aspects of media production, not just film or just tv or just radio. Kindem and Musburger needed a book that would show students how every form of media intersects with one anoth...
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| Otros Autores: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Amsterdam ; Boston :
Focal Press/Elsevier
2009.
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| Edición: | 4th ed |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009627955106719 |
Tabla de Contenidos:
- Cover; Introduction to Media Production; Copyright; Dedication; Contents; Preface to the Fourth Edition; Introduction for IMP IV; Chapter 1. Producing: Exploiting New Opportunities and Markets in the Digital Arena; Introduction; The Audience; Audience Analysis; The Technology of Distribution; New Production Considerations; The Big Ten of Distribution; AM-FM Terrestrial Radio; Hd-Radio (IBOC); Mobile; Satellite; Terrestrial Television; Cable/Telcos; Disk/Disc; The Internet; Games; Motion Pictures; Solid-State Storage; The Economics of Distribution; Broadcasting, Cable, and Satellite
- Theatrical and NontheatricalHome Video, Audio, and Multimedia; Corporate and In-House; Internet Distribution; The Future of Distribution and Exhibition; Summary; Exercises; Additional Readings; Chapter 2. The Production Process: Analog and Digital Technologies; Introduction; Stages of Production; Preproduction; Production; Postproduction; Digital Versus Analog Technology; Digital Technologies Used in Preproduction; Digital Technologies Used in Production; Digital Technologies Used in Postproduction; Production Terminology
- Single-Camera Versus Multiple-Camera Production, and Studio Versus Location ProductionPlanning for Positive Production Experiences; Avoiding Negative Production Experiences; The Production Team in Audio, Video, Film, and Multimedia Production; Creative Staff in Media Production; The Production Crew in Media Production; The Production Team in the Recording Industry; The Production Team on an Interactive Multimedia Production; Visualization: Images, Sounds, and the Creative Process; Conveying Information; Rhetorical Persuasion; Artistic Expression; Production Aesthetics; Realism; Modernism
- PostmodernismCombining Aesthetic Approaches; A Short History of Audio, Film, and Video Production Technology; Summary; Exercises; Additional Readings; Chapter 3. Producing and Production Management; Introduction; Producing; Role of the Producer; Production Strategies; Legal Rights and Concerns; Unions, Guilds, and Nonunion Working Conditions; Production Management; Script Breakdown; Shooting Schedule; Production Budget; Summary; Exercises; Additional Readings; Chapter 4. Scriptwriting; Introduction; Visual Thinking; Preparation for Scriptwriting; Research; Premise, Synopsis, and Outline
- TreatmentsScriptwriting Formats; Full-Page Master Scene Script Format; Split-Page Script Format; Semiscripted Formats; Fiction Scriptwriting; Dramatic Structure; Characterization and Theme; Adaptation; Short Fiction Forms and Formats; Interactive Stories and Games; Nonfiction Scriptwriting; Rhetorical and Expository Structure; Voice and Point of View; Narration and Interviews; Short Nonfiction Forms and Formats; Interactive Learning and Training; Summary; Exercises; Additional Readings; Chapter 5. Directing: Aesthetic Principles and Production Coordination; Introduction; Aesthetic Approaches
- Realism
